As part of our ongoing partnership with Feature Shoot, Beautiful/Decay is sharing Alison Zavos’ article on Photographer Hal.
When looking for couples to model for both this series, Couple Jam, and his ever popular work, Flesh Love, Tokyo-based Photographer Hal goes to underground bars in Shibuya and Kabukicho (Tokyo’s Red Light District), places he describes as “luscious nighttime bee hives”. Musicians, dancers, strippers, service workers and businessmen are all fair game as models as long as they are willing and able to contort their bodies to fit in the confined spaces Photographer Hal obviously has an affinity for.
These photographic “events” take place in the models bathrooms. Photographer Hal explains, “I think of the bathroom as being one of the most private and intimate place in anyone’s home, this provoked a shyness in the models, and created a unique excitement and inspiration in the scene.”
The phrase “3D photos” seems like a bit of a contradiction, right? But no, Letha Projects has been making these amazing minimalist photo sculptures, taking plain pictures and translating them into a work of art that expands on their single dimensional forms. She also works with her flat photos by cutting and manipulating a mixture of color and black and white prints to create texture.
British collaborators LITTLEWHITEHEAD combine humor and violence to create amazing sculptures, paintings, and installations that shock, awe, and amuse all at once. Check out the above video and here the duo discuss various pieces and their creative process. Also make sure to purchase our recent book Beautiful/Decay: Book 7 which has a massive 20 page interview with the talented young artists!
Catching and throwing light from all the right angles, the peculiar, prismatic acrylic pieces from sculptor Phillip Low look like something from outer space. Tip-toeing on the line between art and design, these objects make excellent use of the medium—giving a sense of weight, depth and cellophane-like luminosity to the dense material. The expertly carved shapes combine crystal-like angles and precise areas of coloration to create a series of constantly-shifting reflections that use simple daylight to dazzling effect.
Mark Moore Gallery will open “Ultrasonic V: It’s Only Natural,” its fifth annual survey of emerging artists, Saturday, September 11 from 5-7. The exhibition will be on view until October 16. The exhibition assesses our fascination with self-contextualization, namely through means of archive, taxonomy and cognition.
To celebrate this collection of not-to-be missed talent, Beautiful/Decay went behind the scenes to give you a sneak peek at all of the participating artists. We’ve included a selection of works, as well as interviews surveying each artist’s aesthetic, advice for other creatives, inspiration and more.
Read on to find out about: Dave Dean’s paintings, typifying concepts of the indigenous and “otherness” in the face of societal development; Carrie Moyer’s fantastic acrylic and glitter canvases; Colin Roberts’ delicate sculptures and graphite drawings that oscillate between the sub/conscious; Dani Tull’s hilariously metaphysical wax compositions; Andrew Guenther’s installations that denote our need for “cultural repositories”; Brion Nuda Rosch’s found art collages; and David Rathman’s sparse, yet introspective watercolors.
John Petrenko’s Manufactured Wilderness focuses on BMX and mountain biking trails that are scattered throughout America.He re-interprets the land; singling out the human-made elements such as the ramps, trail markers, and new manifestations in its terrain. With the absence of people, these scenes depict the containment and isolation of the environment’s organized and chaotic design.
André Kertész (1894 – 1985), was a Hungarian-born photographer known for his groundbreaking contributions to photographic composition and by his efforts in establishing and developing the photo essay. In the early years of his lengthy career, his then-unorthodox camera angles, and his unwillingness to compromise his personal photographic style, prevented his work from gaining wider recognition.