Danish artist Troels Carlsen warps classic anatomical illustrations of natural organisms to produce mixed media works on paper. I can’t tell if the drawings that Carlsen’s manipulating are originally produced by the artist or not (maybe a mixture of the two), but the images stand up well enough even without such information. On a purely visual level, the contrast between the illustrative anatomical drawings and Carlsen’s slightly humorous injections works really nicely. But these drawings hold conceptual tones as well. Thick commentary on the body and mind is laid out cleanly for all to see. (via)
Masaya Kushino‘s high heel designs are chimerical, fusing organic textures and materials with the manmade. He utilizes luxurious fur and lush jungle moss alongside meticulously stitched leather, creating works of art that are quirky and beautifully imaginative.
It’s fitting that the form he chooses to play with is the high heel: the height of artifice; impractical; undeniably evocative. It’s a choice that is brimming with meaning and possible interpretations. They’re an everyday item but commonly elevated by haute couture into something fantastical. To some people, they represent an unobtainable ideal, one that is rife with sociopolitical meaning and controversy. Whether you approve of the existence of stilettos or not, they’re admittedly architectural, intriguing in their contours and elegant curves.
Kushino emphasizes a number of these qualities, borrowing the jeweled swoop of a peacock’s tail feather and a bouquet of flowers to highlight the theatricality. In his latest work, called “Bird-Witched,” he incorporates an element of the grotesque: Three shoes that seem each an embryonic stage in the development of a chicken. The heel of the shoe is a gnarled claw, sharp-toed and grisly.
Anastasia Cazabon’s photos contain such compelling settings and backdrops that it feels very calm and serene. With a soft color palette, natural and living environments, she manifest dramatic, playful and melancholic imagery.
New York based artist Yigal Ozeri will debut a stunning solo show at Mark Moore Gallery this Saturday, October 30. In his latest body of work, he captures rock royalty model/actress Lizzie Jagger, daughter of Mick Jagger & Jerry Hall. Posing in lucious velvets amidst a hauntingly ethereal frozen landscape, Ozeri’s dramatic, rock ‘n’ roll, sumptuously gorgeous portraits call to mind the unparalleled beauty of Pre-Raphaelite painters. Injecting a much needed dose of beauty, depth and complexity to Photorealism, Yigal Ozeri’s works dance between liminal realms of reality and fantasy, imagination and truth, nature and transcendence.
Artist Nastasja Duthois creates large installations and small-scale embroidered artworks that explore aspects of shadow and negative space. Though composed of thousands of straight sewn lines reminiscent of crosshatching, the final pieces are generally organic in form from the silhouettes of dogs and animals to more complex landscapes.
“My work is done ellipses, gaps and assembled fragments that attempt to re-transcribe experiences and encounters. It restores daily annotations that one way or another have caused me a surprise, empathy, an indistinct disorder, rebellion or indignation choked. I contemplated steps, stopped movements, noted the words of anonymous … I approached … I immersed myself until disappearing collecting many snapshots of collective life that my readings were converted. Cross existences are mixed with reminiscences and personal obsessions, while retaining their opacity and mystery. They reactivated real memory and imagination. What thoughts and feelings aroused places, objects and people became especially experiences of encounter with oneself. I want to watch the world with the attention of the traveler who discovers a country; I’m looking for simple and fleeting wonders.”
Photographer Shanna Allyn is the master of a universe where women are covered in kittens, faces are obscured with food, and they have eyes like a cartoon character. Her series, Strange Beautiful, is, not surprisingly, strange. This coupled with Allyn’s style of photography (which seems less focused on technical aspect and more on documentation) takes the viewer through a bizarre world where there are more questions than answers.
In a statement about her work written by T. Martin Crouse, co-founder of the publisher Sic Semper Serpent, he describes it as, “The use of quirky objects combined with the locations and postures of her models creates a sense of surrealism. Out of place props in a variety of lateral interpretations have a strong effect.” Later, he goes on to say, “In Shanna’s universe of tampon cigarettes and hotdog mouthpieces, who really has control?” That statement itself is absurd and captures the essence of what Allyn is trying to do. These photographs record what goes on in her world, which is comprised mostly of a group of women with cartoonish eyes. They wear them as a mask, allowing them to look unaffected and apathetic. Nothing phases them, and we don’t immediately understand their motivations.
I see Allyn as a documentarian, capturing images that aren’t full of tension or sadness, but just show a day in the life of Strange Beautiful. The emotions that these models don’t show is compensated by our associations to objects in the images and content she presents.
Artist and designer Jay Shells is behind the twitter feed @TheRapQuotes. He dispenses daily notable rap quotes as tweets. He has since taken the idea to the street. Shells creates street signs of hip hop quotes that mention specific places, then posts the signs at their mentioned locations. Many of the lines are from iconic songs and legends of the genre – easily recalled. Adding the context of an actual location with the signs adds further depth the memorable tracks they reference.