“There are different kinds of beauty. I suppose the one I am interested in is like a fruit: I am not following a logical analysis, and I am not trying to have some concept. I am rather into contemplation, which implies taking some time.”
Graham Caldwell sculpts intricate organic-like structures from hand blown glass. His artworks mirror natural life forms on a molecular level. He pulls, twists, stretches and blows 2,000 degree glass into all sorts of shapes, arranging them into globular, spiky, prismatic, concave, convex, and densely myopic configurations. Caldwell uses the hard shiny metallic properties of glass in contrast to the forms he is recreating. He references nature – flowers, leaves, tropical fronds, water drops, fly’s eyes and eyebrows, but chooses to present them in a man-made, futuristic, fractured, cubist fashion.
Using mirrors, metals, steel and epoxy he likes us to reflect on the way we see the world around us. His interest lies in the act of perceiving, the function of eyes, the purpose of lenses, and how sight works.
Much of my work focuses on glass as a conduit or modulating agent for light and its parallel in the functionality of the human eye: using a lens to flip an image of the world, upside down and backwards, into the brain where it is reassembled, through illusion and forensics. (Source)
Caldwell is the ultimate advocate for art as science. His process is all about trying to recreate an organic process through a completely manufactured one. He enjoys the tactility of glass and the bizarre shapes they can inhabit.
Imagine the shape that balloons take on when they’re half filled with water; now imagine them flash-frozen and sticking sideways into space. Glass, says Caldwell, “is a slowed-down, meaty version of water.” (Source) (Via Hi Fructose)
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Avid glass blower Kiva Ford spends most of his days making complex glass instruments for use in the science lab. After completing a college degree in Scientific Glassblowing, he creates some pretty wild creations. But not only does he do it as a professional job, Ford twists molten glass in his spare time too. As a hobby, he makes other kinds of complicated glass forms – these ones are geared more toward art and commerce. He crafts delicate, miniature versions of bottles, goblets, pendants, domes, vessels, Champagne flutes and vases, all made from glass. Any even though they are tiny in size, they don’t lack imagination or incredible details.
As a member of the American Scientific Glass Blowers Society, he creates custom made glassware for research and discovery. He makes things that can’t be made by a machine or mass produced – all of his creations are as artistic as the next. For Ford, there is no real difference between the two.
I get just as excited about scientific glass as I do artistic glass. The whole process is beautiful to me. (Source)
Enjoying a tradition started a few thousand years ago in Persia, Ford enjoys using the same techniques that haven’t changed – blowing glass over an open flame. He says he loves coming up with new ideas – trying to see what is possible, and what isn’t possible. He even manages to create tiny animals from glass and fits them into other glass containers – achieving something he says, he hasn’t seen anyone else be able to.
For Ford his main aim is to focus on one skill – and get good at what he does. And it is pretty obvious he is well on his way to being a full fledged master of glass. (Via Trenf)
Some nice illustrations in Paul Ryding’s studio
Studio Bertjan Pot likes to experiment. they pride themselves on picking up a new material and pushing the boundaries of what it’s intended to be used for. Such is the case of these wonderful masks that were created during an attempt to make carpets. (via baubauhaus)
“Although seemingly these masks tell stories, this again started out as a material experiment. I wanted to find out if by stitching a rope together I could make a large flat carpet. Instead of flat, the samples got curvy. When I was about to give up on the carpet, Vladi came up with the idea of shaping the rope into masks. The possibilities are endless, I’m meeting new faces every day.”
If you ever thought about breaking into the B/D office and stealing all the boxes of shirts going to stores think again. Ziggy the B/D mascot will hunt you down and slaughter you. Look at the photo after the jump to see his vicious tactics. I nearly lost a finger.
Seattle artist Robert Hardgrave creates swirling, abstract mixed media paintings. Sometimes a figure or structure will appear, but you can never be too sure of exactly what you’re looking at. Any element of order in each work is shrouded beyond most comprehension by beautiful chaos. Things are better off that way. And Hardgrave’s work is so textured and effortlessly intricate that all you want to do is swallow each painting whole. Who cares what a single brushstroke might mean? There’s too much going on not to take it all in at once. When you do get the chance to examine detail though, Hardgrave’s insane skill level is undeniable.