Do you know thousands of artists and designers who need to get some well deserved exposure? Do love writing about art and want an outlet? Do you want over a million monthly readers from around the world reading and hanging on your every word? Do you want to join Beautiful/Decay in our quest for all things groundbreaking and creative? If so then we have the perfect job for you!
Beautiful/Decay is looking for a few young writers who are looking to get their foot in the door and contribute to our daily blog. We are looking for smart writers in all corners of the globe who have their fingers on the pulse of the contemporary art and design world and want to join our group of art bloggers.
To apply send a few short writing samples (or links), 5 links to artists who you would like to write about and a cover letter about why you want to join the Beautiful/Decay contributor team to contactbd(at)beautifuldecay.com.
Writers must be able to commit to a minimum of five 300 word posts per week. This is a paid freelance position.
Rob Sato’s watercolor paintings are whimsical clashes of documented history and personal dreaming: a magpie pictorial narrative of his own internal processing system or as he says, an “extension of writing” and “sifting through garbage. Getting a lot of trash out of my head.” His ability to condense worlds, communities, and landscapes into one surreal solid depiction, interestingly enough, conceptually harkens back to Vincent VanGogh’s statement on the watercolor medium itself as “a splendid thing” to “express atmosphere and distance, so that the figure is surrounded by air and can breathe in it.”
Artist, illustrator, and muralist Saddo creates paintings that are a fusion of birds, humans, armor, and more. In stately-looking portraits, these hybrid creatures look as though they’re ready to enter battle or to try and cheat death. Sometimes, act as the grim reaper themselves. The dark-colored images match the somber subject matter, and many of Saddo’s surreal works are meant to echo that sentiment.
The catalyst for Saddo’s subject mater comes from a move to Lisbon with the artist Aitch. Some imagery is influenced by Spanish and Portuguese explorers and conquistadors from the 15th to 18th century, as well as illustrations of birds, Islamic miniatures depicting battle scenes, and science fiction movies. Other paintings are inspired by the cold. “…the winter caught us by surprise, we didn’t expect it to be so rainy, gloomy, and depressing.” Saddo explains.“It deeply affected our mood and even our physical state, we often felt trapped inside our dark, moist house, inside slow moving, joint aching bodies.” Every once and a while, a coffin would appear in their illustrations and paintings.
The culmination of these disparate influences facilitate morbid, strange, and fascinating works that have intriguing small details hidden within each composition.
Sine I posted Tiina Itkonen‘s photographs of Greenland earlier in the day it only seemed right to keep the nature lovefest going with this epic video of the arctic light in the Archipelago Lofoten in Norway. Watch the full epic video and read the first hand account of this natural wonder from photographer Mr.TSO after the jump!
Photographer Joanne Leah works in “seduction, ritual, and tension”. Her pieces capture relationships, between two people or art and its viewer, as it alternately relaxes and strains. In the series featured in this post the angle of the light is severe recalling the chiaroscuro of baroque painting. The light, though, is cold, almost lonely, emphasizing the solitary figure in each photograph. Whether, the subject holds teeth in her palm or wields a knife a drama is clearly unfolding.