Ben DeHaan‘s “Uncured” series captures the decay of a printed photograph as a result of the removal of the UV light used to instantly dry the ink on the page and cure the image. These portraits appear as if they are melting and evoke a surreal aesthetic, creating a completely unique visual experience that questions the idea of simple replication. In this series, Dehaan also seeks to address the role of machinery and the physical environment in the response to forces that construct the image. (via)
Joey Piziali’s work takes on abstraction full force with geometric order mixed with a bit of painterly chaos. See Joey’s work in San Francisco this Saturday in a group show at Guerrero Gallery. See more of Joey’s work after the jump.
If you’re anything like us here at Beautiful/Decay, you are no doubt avid zine/magazine readers & collectors. So, in celebration of print, we are holding a competition- whoever shows us their collection of magazines in the most creative way will win an Offi – “W” Magazine Stand in Walnut ($169 value!). The mag rack comes compliments of the online shop All Modern, which carries an excellent selection of modern furniture & housewares by brands such as Knoll, Herman Miller, Blomus, Alessi, etc. So send in your artwork/design/photographs of the craziest, biggest, messiest stack of magazines to:email@example.com.
We’ll post all the entries on our blog next week and will pick a winner on Monday.
Deadline: Monday, July 6th, 10am PST!
About the Offi – “W” Magazine Stand in Walnut
Designed by West Coast product designer Eric Pfeiffer, the magazine reflects a penchant for simplicity and a useful and elegant solution to everyday living. Pfeiffer’s works evoke timeless forms that recognize a product’s usefulness and necessity while exhibiting the beauty of its material.
We’ve been spending a lot of time at the warehouse lately scrutinizing every little detail on our samples.
It may look like we used 20 different screens to make the “Color Blind” shirt pictured above but it was only achieved with the use of a four color printing process!
You may remember James Callahan’s Barf shirt from a few seasons back. Well he is back at it again making some of the most gruesome, amazing, and face melting designs for our spring and summer 09 line. If you could only see what this design looks like once it has the rest of its colors!
The above video was created by Adam D. Miller, and was screened at an event at the Hammer Museum Los Angeles.
He battled dinosaurs. He conquered hell. He raped aliens. He cannibalized social icons. He enslaved the human race, and we loved him for it. Yet, the Grim Reaper proved to be one foe that the mighty Oderus Urungus could not defeat. This was a week to remember as Dave Brockie, the lead singer of metal band Gwar, died unexpectedly.
His passing almost seems like the plot of a movie. Gwar had made a healthy comeback and gained a new following of teenage fans with their ever improving last five albums (in my opinion by far the best music they ever made). In 1999 I saw Gwar playing at a relatively small club in northern California after having nearly faded into obscurity, but in 2012 they were playing to a sold out crowd of screaming maniacs at the House of Blues in Hollywood. Only a few months ago they released what ended up being their final album, Battle Maximus (a tribute to another departed scumdog Flattus Maximus, also known as Cory Smoot who died in 2012). They finished a tour in support of the album and then Dave Brockie died. I never thought the singer for a band like Gwar would live to be ninety in a retirement community, but I didn’t expect him to die so suddenly in the midst of being so active.
California based artist Evan Holm, creates Submerged Turntables, a kinetic installation featuring salvaged objects, turntables, records, and dark, murky water. The piece, which Holm used to perform at San Francisco’s Museum of Modern Art but now resides in his studio in Oakland, is meant to serve as a reminder that “all tracings of human culture will dissolve back into the soil under the slow crush of the unfolding universe.” By playing the records in the piece’s pitch-black pool, Holm is “enacting a small moment of remorse towards this loss.”
For this work, Evan submerged a working turntable in a dark liquid; he then proceeds to pick a record from his wall, which then is inserted onto the wet record player. The functioning underwater turntable is a mystery, and I think that that’s the most enticing part of the work; the turntable’s ability (against all odds) to play music under water, it is quite remarkable.
The work, heavy on symbolism, relies on our negative notions of pairings involving electricity and water (a parallel to doomed feelings). How can we ever think that an electric turntable could effectively work under water? It is this notion that brings Holm’s concept to a clearer view. By making this possible, he brings forth an “optimistic sculpture, for that just after the moment of submergence..the tone, the melody is pulled back out of the pool, past the veil of the subconscious, out from under the crush of time, and back into a living and breathing realm.” (via IGNANT)