Catherine Jacobi takes everyday materials such as bike tire tubing (pictured above), discarded newspapers, roof shingles and other debris and creates sculptures that use the histories of the materials they are built with as a conceptual and narrative starting point.
Australian artist CJ Hendry takes the items consumers long for: fashion accessories, high-end labels, designer purses, shoes and luxuriously-packaged perfumes, and spends days recreating them with absolute precision. Although there is precious little information to be found about the artist online (she maintains an active Instagram account, but does not seem to have a website or bio), it is quite obvious that she has an interest in seduction. By using the items which seduce consumers and inspire fashion choices, Hendry in turn makes them more seductive through her large-scale, pen and ink renderings of them, stating “It is all about the object. I am a product person and that is obvious through my obsession with the particular placement of each piece. It starts with the acquisition of the product I am intrigued by or have been obsessing over.” Hatching, shading and intricate line-work are used to entice the eye, an extension of the principles used by the fashion industry, designers, and advertisers to tempt the desires of consumer culture.
When asked to describe her detailed but simplistic rendering style in an interview with Youthedesigner, Hendry stated “There are so many ways to describe my style and I am sure people will have different things to say. I look at finished pieces and feel a strong feeling of simplicity. That might sound strange because most pieces are so detailed in their own right but the intentional use of negative space encourages an uncomplicated reaction with all focus on the object.” (via booooooom and youthedesigner)
Earlier this week, a sold out capacity crowd saw Chet Faker aka Nicholas Murphy take the stage for his first US performance at the Echo in Los Angeles. He released his debut EP, “Thinking In Textures” early last year and has been working non stop ever since. Fellow Aussie Flume had him sing, “Left Alone” on his debut and the Swedish/Australian group Say Lou Lou featured him on their b-side, “Fool of Me“, but it was his cover of Blackstreet’s “No Diggity” that he released a couple of years ago that started it all.
“This songs about sex”, quipped Nick as they played my personal favorite, “Love & Feeling” midway through his short, but very sweet set. Other stand out songs included the opener, “Archangel”, “Terms & Conditions”, “I’m into You”, and of course ending the set with “No Diggity”. The crowd while talkative, sang along to every word. Taking a break from his keyboard for the encore, Chet played his new single, “Melt” sans singer Kilo Kish, but still a very nice ending to a fantastic first show.
Chet Faker is currently on a North American tour that will take him across the country including an upcoming show at New York’s Webster Hall with recent collaborator Flume on September 11th. He’ll also be joining Bonobo on their tour starting October 31st at the Complex in Salt Lake City. Check him out now before he moves on to bigger venues like I know he will.
Robert Ryan Cory is an animation character designer currently working on Nickelodeon’s Spongebob Squarepants. Over at his flickr (linked to his name at the beginning of this post), Cory has posted some fantastic character sketches from the show. I haven’t watched Spongebob in a few years now but I don’t remember it being quite this violent and grotesque. His drawings are like Ren and Stimpy meets Ed “Big Daddy” Roth. Perhaps the show is taking a turn towards the weird(er)?
During a recent trip to Istanbul, Spanish artist Pejac completed a series of three murals in Üsküdar. Titled “Lock, Poster and Shutters,” each piece has been meticulously painted and employs a trompe-l’oeil technique to suggest three-dimensionality. Through painted-on shadows and methods of forced perspective, Pejac renders realistic architectural elements, including a keyhole receding into a stone wall, a ‘poster’ of a lancet window, and unlatched shutters framing a small, intricately patterned screen.
In order to impeccably blend each piece onto its architectonic canvas, Pejac utilizes lifelike, subdued hues—namely black, white, grey, and gold. To further evoke realism, the artist paints each object true to size, and even creates illusions of elemental exposure through synthetic discoloration and signs of tarnish. Echoing the existing imperfections apparent on each façade—including chipped paint, subtle cracks, and accumulated dirt—Pejac’s murals simultaneously trick the eye and call attention to the innate potential that surrounds us on a daily basis.
In an interview with Société Perrier, Pejac notes his recurring “intention to not only play with the concept but with the very perception of reality.” And, if “Lock, Poster and Shutters” is any indication, his playing proves successful.
In honor of Rineke Dijkstra‘s retrospective currently on view at the Guggenheim, we figured we’d do our own little rundown of the photographer’s work. Dijkstra’s portraits illuminate all the subtle emotions and struggles inherent in being a youngster. When you’re a kid, you can’t help but be the underdog. Some cosmic order of the universe is keeping you down in some way. You want to be taller, smarter; or maybe you want a pair of sneakers that you can’t afford. And all the while, you’re not sure if you’ll ever make it out of adolescence alive. And your lack of hope makes the whole process that much worse. The painful existence of childhood brings about a certain unique wisdom. It’s not true wisdom (you haven’t experienced enough of life to be wise), but it’s close. Maybe the right term is jaded. In Dijkstra’s photographs, youthful subjects stare out at us in disdain: “what are you gonna throw at me next?” And you just want to tell them that everything’s going to be alright, that it gets better with time. But then you wonder if you’d be lying. Reconnect with your younger self with more images after the jump.
Japanese Photographer Hal has crafted a bizarre-yet-eye catching series titled Fresh Love, which features an intimate couple vacuumed sealed together. It’s part of an advertisement for Condomania Shop in Tokyo, and it plays on the idea of what the shop sells, which, if you couldn’t guess, is condoms.
This series cleverly references a tightly-encased object and the aesthetics of a condom in all of its shrink-wrapped glory. We see an abstracted and visceral view of people, distorted by both the plastic, proximity towards each other, and the lack of space. Flesh is pressed against the surface and every hair and blemish is visible. It’s partially disgusting to see flesh that contorted, but creates a fascinating effect.
Due to the limited air supply, the couples could only be left inside the sealed bag for about 10 seconds. If you’re curious about the photographer and his creative process, check out the video after the jump. It explores the ways in which he achieved his vision and the feelings of the couples involved with the project. (Via designboom)