Born in Hong Kong, Kenneth Tin-Kin Hung now lives and works in New York. His art is incredibly socially conscious, exploring and excelling in high-definition video animation, video games, net.art, digital graphics, and mixed media installations. Currently in progress is video installation “In GOD We Trust.” He envisions Obama as a reincarnation of seven spiritual leaders and prophets. Far from worshipping Obama, “In GOD We Trust” delves into the hopes and changes the 44th U.S. president promises to deliver–and the obstacles he will encounter along the way.
P.S. The “GOD” in “In God We Trust” is an acronym for “Global Obama Devotion.” Not our national motto!
We recently received Doug Fogelson’s book “The Time After” in the mail today. One of the catch phrases on the press release is: “Temporal speculation for the post climate change era.” Heavy! Although it’s not as apocalyptic as the Popul Vuh’s 2012 world-termination prognosis, and not as, ahem, temporally speculative (in my opinion) to warrant vast assumptions about the post climate change era, there are some prismatic, multi-exposed layered photographs that time-lapsed-surfaced-ly explore the age old question of nature, man, and their relation to time. Shots of clouds and forests lay side by side by sprawling city streets. It’s certainly an interesting attempt to turn such a tired trope of amateur photography (the double-expose) into the basis for a complicated conceptual framework, though how many “heady” points on the nature of humanity the book makes, I’m not so sure. Regardless, the book features stunning and creative print lay out and design by Tim Hartford.
To communicate both weighty (The Irish Famine, racism, war) and frivolous (clandestine love affairs with Bigfoot?) subject matter, Carson Ellis utilizes a subtle color palette and gentle linework. Her art is similar to children’s books in that the dialogue (if any) is limited, but the illustrations and their message speak volumes. And she’s married to Colin Meloy, the lead singer of The Decemberists!
As his name hints, [hu]Man vs. Machine delivers work created with traditional materials in order to mimic what can be done with the computer. His work is very enjoyable and ranges from ink drawings to paintings to installations.
Movie Time culminates with “Rivers and Tides,” an otherworldly documentary that follows renowned sculptor Andy Goldsworthy as he transforms and harnesses the elemental forces of ice, driftwood, rivers, and forests into works of ethereal and transient beauty.
The screenings are projected on the large outdoor screen located next to the Snack Bar. Seating is limited so arrive early to secure a chair, but if you get there late, no worries you can always sit on the floor or bring your own chair!
Drinks, snacks and popcorn as usual are available at Snack Bar!
“Rivers and Tides”- Wed, May 27
1520 N. Cahuenga Blvd
Los Angeles, CA 90028
See more Beautiful/Decay Movie Times for the month of May after the jump!
For the next couple weeks, I will be posting up some of my favorite applications (as well as previous works) of the Rhizome Commissions (Rhizome at the New Museum, one of my favorite media art blogs), a program which provides grants to new media artists exhibiting a large amount of potential but maybe aren’t yet fully recognized in their field.
Jeremy Bailey’s proposal, DIALECTICAL SOFTWARE GUNDAM SUIT, “intends to create a new live performance involving a software “suit” that augments and extends both the creative and destructive abilities of the performer. The image of the suit will be superimposed in real-time over the artist during the performance. The work will be satirical, but will appear as a sincere attempt by the artist to create a more advanced human form.”