Anthony Freda’s mix media illustrations.
In honor of this sorry, low down, good for-nothin yellow bellied son of a sapsucker rainy day, enjoy some found clothing umbrellas by MK Guth. Thinking about taking these out for hellstorm protection just makes me think of the smell of mold, dog, and heavy wet socks. Still, I like their bright, cheery plays on the umbrella form, that are half Mary Poppins, half fortress.
Ryan Trecartin has done it again in his spread for W magazine (released last month), responding with the complete mastery over emblems of consumer culture and social networking. The traditional fashion spread has become unrecognizable in its form yet perfectly familiar in its content and heavy use of symbols and signs. For the online conception fashion magazine DIS, titled Web 1.0, the artist has made his creative and production process visible: a shot list with a myriad of influences described and called out to the last detail. The dizzying list definitely qualifies as an art piece.
Dave Rittinger was bored of the boring graphic tee so he embarked on a creative voyage of spicing up his wardrobe with some shirts that are sure to be one of a kind. You know what they say about a sharped dressed man (in a leaf shirt).
P.S. Make sure to check out Dave’s other photo and installation projects on his website.
In their book Waska Tatay, French photographer Thomas Rousset and graphic designer Raphael Verona document the cryptic reality of Bolivian witchcraft. During their trip to the Altiplano region of Bolivia, Rousset and Verona encountered the magical world of shamanism, spiritual healers and ancient mythology. Their book exposes the collision between old and new, mystical and mundane, spiritual and physical.
The ambivalence of Waska Tatay begins from a first glance. Book’s abstract cover of fading yellows and blues is contrasting with the actual matter. The clash continues throughout Rousset and Verona’s style of photography, which is tossing between reportage and staged portraiture. Finally, the grotesque ambiguity reaches its top when the subjects in all their ritual garments are photographed in their mundane surroundings. This incoherence between content and form exposes the viewer to the grim reality of tradition in today’s world.
“We decided to mix two languages: one very staged and those that are very snapshot. We mixed a lot to create ambiguity for the reader, in knowing what’s real and what’s fiction.”
Rousset and Verona claims to have tried to zoom the old fashioned world into today’s reality. The picture of a Bolivian girl standing in a tree is an iconic example of their idea: “You could see that the girl is a witch, trying to talk with divinities or evils but her voice to God is replaced by a cell phone,” says Verona. According to the photographers, what they witnessed in Bolivia was a sense of magical realism which they wanted to broadcast to the viewer. The book Waska Tatay is available on IDPURE. (via Wired)
Deniz Ozuygur’s pieces appear to be completely unconnected explorations. However, the common thread uniting Ozuygur’s varied and imaginative work is that each piece embodies a different character. These characters have their own stories and musings, often derived from the artist’s own past. From Funyuns to balloons, Ozuygur is certainly not afraid of experimentation.
Color is the name of the game for Beatriz Milhazes, a multidisciplinary artist from Rio de Janeiro. Wild colors in fact, and wild geometric forms to boot. Milhazes has exhibited in museums around the world and even represented Brazil at the Venice Biennale in 2003. If you are in the New York area, make sure to go and see her Gold Rose Series at James Cohan Gallery, an edition of seven silkscreen and wood block prints that were made at Durham Press in Pennsylvania.
Mandarin Duck (Aniko Koleshnikova) hand carves one-off book covers inspired by fantasy and supernatural stories. Using colorful polymer clays, the Latvian artist sculpts dragons, frogs, owls, leaves, beetles, skulls, roses, and vines. She adds crystals, Swarovskis, or resin details to her creations to accentuate the features, and engraves or indents different patterns into the surface of each cover. Each design is so intricately made and beautifully finished, you can see the amount of hours put into each piece.
Koleshnikova doesn’t only customize book covers – she also uses her carving skills making jewellery and decorative sculptures. She makes beads, pendants, earrings, and also cases for pocket mirrors and large vases. If you want to try it out for yourself, she has many tutorial videos on Youtube you can follow and learn from. Or you can visit her Etsy shop here. Furthermore, Mandarin Duck also takes custom orders if you would like your own personal journal covered. (Via Bored Panda)