Annemarie Busscher’s ultra realistic drawings are less about portraiture and more about the scientific research of the skins surface. Every bump, imperfection, blemish, wrinkle, and bits of uneven skin are documented in exquisite detail documenting humanities slow decay.
Like many people, Greg Krehel loves cacti and succulents. But, living in Jacksonville, FL was not conducive to keeping these plants happy and healthy. The desert-loving flora would drown in the sogginess of Jacksonville. That was until he randomly selected a cactus from a local garden store. Instead of dying, it thrived, and produced beautiful, large blooms in a mixture of colors. It turns out that Krehel selected a echinopsis, which is a genus of cactus from South America that loves humidity. And, better yet, there were hundreds of other varieties out there. Krehel photographs them with an iPhone 5 or a Cannon 6d camera and post them to his Instagram, under the username @echinopsisfreak.
Once his first cactus thrived, Krehel bought more. Many more..“My single echinopsis acquired by accident was soon joined by 5… 25… 50… and now I’m at 100 other echinopsis species and hybrids, ” he told the Instagram blog.
Krehel is passionate about imaging the echinopsis, which blooms in a day and peak for only an hour or two. “Their brief existence pushes you to photograph the heck out of them,” he says. This led him to using time-lapse photography to capture their beauty in short, mesmerizing videos. The echinopsis’ gently-opening blooms are easy to watch in hypnotic fashion. You’ll probably find yourself click the “play” button over and over again.
Xavier Antin is a recent grad of Royal College of Art currently based in London. His piece “Just in Time, or A Short History of Production” is a clever recycling of old technologies to make something new. A book printed through a printing chain made of four desktop printers using four different colors and technologies dated from 1880 to 1976. A production process that brings together small scale and large scale production, two sides of the same history. The final piece is a product created from a very strange offset printing process and doesn’t quite look how you would expect it to! Check out more pictures of “Just in Time” and other works by Xavier after the jump.
We’ve been posting alot of amazing illustrators from the UK, and Jon Owen is yet another within this category. You can difinitely detect a common stylistic thread from piece to piece, yet, Jon also has a strength for mixing things up and keeping his work fresh. I’m personally fond of his limited color splashes & muted palette, which only increases my curiosity to explore the details of these narratives.
American artist Jenny Fine creates Flat Granny, a life-sized cardboard cut-out of her grandmother. The artist is interested in creating a tangible ‘thing’ that would resemble her dear, and very influential relative. With this cut-out, she attempts to extend a relationship beyond death. Apart from the cutout, Fine goes a bit further and develops a more’ carnal’ approach to the cut-out of her grandmother…
In an interest to reanimate her still image, I turned Flat Granny’s photographic body into a costume.
The bizarre, yet endearing idea is inspired by Victorian traditions of post-mortem photography, as well as the novel concept of a Flat Daddy/Mommy , photographic cut-outs of deployed soldiers for their children/ family while the soldier is away at war.
The photographs you see here feel and look surreal. However, there is no way to escape these vibes when you are looking at an object that in essence represents the absence of someone dearly missed and loved. This project is personal, but it also goes deeper than just a moving gesture from a loving granddaughter. It brings forth the realities of our attachment to the physical world- and the physical body, as well as the lengths we would go to in order to fill that void we feel when we’ve lost someone important in our lives.
Can something like this do the trick? Or would it be just plain weird and inappropriate?
SKWAK is a French illustrator who draws elaborate crowds of what he calls “maniacs”: colorful characters who skitter and dance together with a look of celebratory absurdity. SKWAK is no stranger to Beautiful/Decay; over the past few years he’s collaborated with us on various projects, using his signature style to design kooky merchandise for our shop.
SKWAK is our cover artist for Beautiful/Decay Issue J, a magazine that focuses on groundbreaking artists with offbeat styles that oppose the elitism often associated with mainstream art. Also featured in the issue is Michael Scoggins, who draws nostalgic and self-exploratory images on crumpled pieces of notepaper, as well as Misaki Kawai, who creates expressive craft art with a raw, intentionally “amateur” aesthetic. As one of our most popular magazines, Issue J is sure to delight you with its curated collection of artists that strive to do things their own way.
We interviewed SKWAK in 2011, giving us fascinating insight into his art. Featured here today are some of the pieces he’s produced in more recent years. Among the works are the eye-catching, jittering throngs of his maniacs; wide-eyed and grinning, they mesh together amongst vibrant patterns and cartoon images of eyeballs and snakes—as well as more subtly sinister depictions of skulls and dismemberment. Among these mad assemblages are a couple of individual character drawings, wherein he focuses on illustrating the bodies of his maniacs with the same colorful, psychedelic fever. In the past few months, SKWAK has also embellished classical busts with his undulating line work.
Immerse yourself in the eccentric world of SKWAK and similar artists by picking up a copy of Beautiful/Decay’s Issue J, available here.
Visual artist Kalen Hollomon, recently titled the “cut out king of New York”, is blurring the lines between the social conformity and taboo with his mixed media artworks. His collages feature mundane city life moments, high fashion editorials and old advertisements blended with clippings from vintage pornography scenes.
“I am always concerned with what lies beneath the surface – with relativity, perception, sexuality and pop culture. My images are reality manipulation, manipulating other people’s identities. The idea of and ability to alter the value or meaning of an image or object by adding or subtracting elements is really exciting to me – adding or taking away elements from something until it becomes the sexiest it can be at that moment.”
Holomon is christened to be the child of the iPhone generation. Snapped with a smartphone camera, his creative collages started gaining exposure thanks to the social media platforms Instagram and Twitter. However, the same attention has forced the artist to censor some of his works. Hollomon says he “had accounts shut down and posts removed for as little as butt cheeks”.
Beyond the absurdity and wit, Hollomon’s work also represents the new trend of privacy-lacking public photography. His instant iPhone images from New York’s streets and subways rarely deal with any permissions for public use. That unawareness is exactly what turns such works into powerful socio-documentary messages. (via Dazed)
Join us in celebration of the highly anticipated release for Book 1: Supernaturalism, Saturday July 25th, 2009 at Gallery Nucleus. Don’t miss artist Kyle Thomas, who will be signing and taking requests for custom, one of a kind covers for each attendee. Works by Kyle as well as featured artists Ben Tegel, David Jien and Seth Curcio will also be on display until August 3rd. Artists from the book as well as the entire Beautiful/Decay team will also be in attendance.This is a rare opportunity to get a hold of a completely customized, original copy of the limited edition Book 1! Details after the jump.