I threw up in my mouth a little bit while I was watching this. Phil Hansons work conjures up all the reasons I no longer dine with 6 year olds. Dont think I wouldnt understand if you disagreed with me. Sure, its art. Its also the reason why the rest of the world hates us, right? The only rewarding thing about this video as far as Im concerned is that awesome little dog, who must’ve been convinced that day that he could control people with his thoughts.
Oh yeah. One more thing. Its an Arbys Commercial. Consumerism has now officially penetrated every orifice of my daily life. Boo
Coulie, Border Collie/ Golden Retriever cross, Lethbridge, Alberta, Canada
Taken by Coulie
San Diego-based photographer Chris Keeney might have orchestrated the series PetCam, but it’s not his artistic eye that captured the shots. No, instead he handed the job over to an unlikely set of collaborators: animals, including his dog Fred and cat Alice. Chickens, pigs, cows, and guinea pigs living all around the world partake in the fun with a lightweight camera that’s tailored to their size. Keeny set the shutter to click at specified intervals of time that range from a fraction of a second to many seconds.
The photographer stresses that these cameras don’t impede the movement or happiness of the subjects, and they’re given free reign to go about their day: exploring sights and sounds, relaxing under a car, and scaling rooftops. For us, the results present a view that we don’t often see – one that’s from the vantage point of an animal. Some of the photos are distorted, others confusing, but all are intriguing; they provide us a look into what catches these creatures’ eyes as the move throughout the world.
The photography of Amanda Charchian is like a vaguely familiar dream. Her series featured here make a strange sort of sense in much the way a dreams do. Titled When There is Nothing Left to Burn, You Have to Set Yourself on Fire, Charchian makes use of an all female cast of subjects, primary coloring, peculiar lighting, and hazily 1970’s fashion photography aesthetic for an understated surreal atmosphere. However, she especially makes skillful use of the scenery blending all of the components into one sun-induced hallucination. Interestingly, she says of her process:
“I really enjoy what I do, so I am constantly working. I am very fast paced and I like working in a trance state, so it doesn’t suit me to adhere to a particular plan. The process always starts with that sort of light bulb flash (usually when I am doing something really mundane), and then I refine the concept. With that concept lurking, the physical making of the work always becomes very intuitive.” (via)
Australian artist Numskull presents his work both on the street and in galleries. His segmented use of vintage typography and Native American imagery is dangerously similar to that of FAILE’s mixed media work, but his energetic character designs establish him as a force all his own. Goofy gets three eyes and Bart Simpson hair, and the character takes on a completely new persona. Hysterical, almost toothless grins populate the streets. The world would be a better place if it was populated with even more visuals from the mind of Numskull.
The artist has work on display at Mishka‘s flagship in Brooklyn.
Celebrity photography is usually quite dull focusing on the popularity and power of the star. So it’s a breath of fresh air to pull up the portfolio of London based photographer Levon Biss and discover images of celebrities that are full of humor, quirky narrative, and unique sets.