Dana Oldfather is an artist that currently works in Cleveland, Ohio. Her abstract paintings have this beautifully organic nature that it almost feels as if she painted from a bio-lab sample of a plant. Composed of oddly shapes, splashes and blobs of paint, her color scheme is very earthly and neutral and this helps set the tone in the painting.
She states about her work, “Each work is an attempt to elegantly express the embodiment of paradox; a physical manifestation of conflicting desires communicated in an abstract arrangement of forms.” She will be showing her work at William Rupnik Gallery in Cleveland, April 23 – May 9, titled We Are Mountains.
I’ve known Drew Liverman longer than most other people in my life. Since the age of 14 we’ve gotten into all sorts of trouble together. At times we’ve lost touch for a year here or there but I feel a special connection to him that only happens when you spend your formative teenage years skateboarding and getting in trouble for graffiti together. One thing has been made clear over the last two decades of friendship with Drew. This guy is a creative super talent. I’ve always admired Drew’s creative abilities with anything that he takes on, whether it be our teenage graffiti shenanigans or his raw ability to jump from design, illustration, or painting with ease. With that said it’s no wonder that Young Sons, Drew’s latest collaborative project with Michael Ricioppo is also a visual feast.
Young Sons takes the concept of collaborative painting to new heights. Mixing a cornucopia of visual references from abstract expressionism to saturday morning cartoons, Ricioppo and Liverman work back and forth in unison and with intuitive speed canceling out, editing, and adding to one another’s marks. The result is a controlled chaos of line and form that is a bold mix of stream of consciousness and disciplined control.
See the work of Young Sons at Mass Gallery in Austin Texas through November 24th 2013 and read Andrew Bourne’s interview with them on Bomb.
Gringoflash has put together an awesome project! They have taken all of their favorite artists and visual designers and made them “MVAs” so to speak (Most Valuable Artist). I like this bizarre combination of two fields that are often kept separated – art and sports.
Deep Fried Gadgets is a recent series from Brooklyn photographer Henry Hargreaves. For the shoot, Hargreaves fried foam reproductions of popular tech gadgets like Ipads and Gameboys. Aside from drawing on the perverse joy of destroying expensive things, the series provides a nice commentary on sustenance, technology, and our current value system. Tasty. Click past the jump to see more Deep Fried Gadgets. (via)
Sculptor Eva Jospin constantly reinvents the idea of what a forest is over and over again. She cuts, layers, arranges, glues and builds cardboard into different interpretations of The Woods. Her pieces range from smaller 2D pictures compiled from dense sticks, branches and flaky bits of wood, to life size 3D installations that you are invited into, and can move around within. For Jospin, cardboard is just the medium for a larger message; these trees express many things:
The forest – an incarnation of nature in the wild – is above all the setting in traditional storytelling of tests of courage, and can be a gloomy or initiatory place. The forest is also where one encounters oneself. This walk through the forest initiates the visit to ‘ Inside’, which is also an inner journey. (Source)
Jospin uses a material that is not only durable, robust, strong, and supportive, but also fragile, impermanent, raw and insubstantial. She plays on these two points of view – they mirror the actual qualities of trees, nature and our relationship to it. These poetic attachments to Josie’s Forest pieces isn’t lost on her critics either:
To look at a forest is an optical experience that challenges the typical laws of perspective in western representation. Facing visually the depth of a forest means to forget the horizon, it means to get lost. And is not the danger of getting lost the only risk tied up to that natural labyrinth that is a forest? (Source)
Mouchette: a website created by a pseudonymous author carrying the identity of Mouchette, is an artist, claims to be “nearly thirteen” and living in Holland, but the persona of this person, both real and virtual I cant explain, but is amazing.
Diana Al-Hadid is a Syrian-born artist who grew up in the US, and coming from such rich backgrounds, it is easy to see why her work deals with the disintegration of power and history. Melting statues and monuments, paintings that look like they were left out in the rain for centuries, the work in her show at the Marianne Boesky Gallery looks more like anthropological pompei-like discoveries than they do precious art objects, which is kind of the point. It encourages you to wonder what kinds of remnants our empires will leave behind for the future to dig up, or for others, maybe it is a call to arms to incite some cultural anarchy. Her show also closes on the 20th of this month, so stop by if you’re in the neighborhood!