I don’t know about you, but I’m a sucker for a good pile of demon heads, and that is exactly what Sarada Rauch delivers. The work is light hearted, but there’s definitely a moral allegory thing happening too. Emily Noelle Lambert told me to check out Sarada’s work.
Zeitguised made Peripetics in six acts for the opening exhibition at the Zirkel Gallery. It entails six imaginations of disoriented systems that take a catastrophic turn, including the evolution of educational plant-body-machine models and liquid building materials.
Wednesday morning presents an anomaly… one who utilizes the left and right side of the brain: Biologist and Artist Arian Behzadi. Currently a Biology student, Arian squeezes in design time in between classes. You can see more after the jump, and on Arian’s Flickr photostream.
Dana Oldfather is an artist that currently works in Cleveland, Ohio. Her abstract paintings have this beautifully organic nature that it almost feels as if she painted from a bio-lab sample of a plant. Composed of oddly shapes, splashes and blobs of paint, her color scheme is very earthly and neutral and this helps set the tone in the painting.
She states about her work, “Each work is an attempt to elegantly express the embodiment of paradox; a physical manifestation of conflicting desires communicated in an abstract arrangement of forms.” She will be showing her work at William Rupnik Gallery in Cleveland, April 23 – May 9, titled We Are Mountains.
Bobo is an art collective that emerged out of the Providence scene post-Fort Thunder. I really love Bobo’s poster “The Global Order of the Youngbloods,” it’s an overdose of occult and conspiracy infotainment. Bobo has managed to create a fun scene on their own terms. They ran a space in Philadelphia for a while, but now seem to be arranging/curating shows in New York, and performing as a band. Annie Pearlman brought them to my attention when I was doing a studio visit with Brian Belott.
If you are lucky, once in a while you find an artist that helps you remember why you started getting into art in the first place. I first saw Dave Muller’s work in 2004 at his show ‘I Like Your Music’ at Blum & Poe, and at the time was just a fresh-faced college kid, only beginning to think about getting involved in the fine arts. I walked into this room full of his drawings of massive record sleeves – vibrant, colorful, and full of life – it was one of the first times that I remember feeling truly enthusiastic about art, not simply because I thought it looked cool, but because it seemed to speak to something about life that I was really excited about. It was a turning point for me in the way I interacted with art, and I’ve never thought about things the same way. For me, Dave Muller’s work is all about the good things that make life worth living – good music, good friends, a little messy, a lot of color, and a lot of fun. Dave has been one of my favorite artists since that fateful day, so I was thrilled to have the opportunity to talk to him about his work, his alternate life as a DJ, and his recent wall drawing at the new Cowboys Stadium.
I don’t know much about Jason Lahr’s work and I couldn’t find an artist statement online but anyone who makes artwork about death metal, Old Dirty Bastard and mixes in digital painting trickery is A-OK by me!