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Guy Denning, and the power of the human figure

 

Guy Denning of Bristol, UK has been putting out emotive, figurative paintings for almost two decades. He works mostly in oil, perhaps the perfect medium for working with the human figure due to its unique luminous qualities, and he takes the guesswork out of using art as a mirror for the human condition by directly rendering our anguish and strife in muted, stylized tones. He also maintains a pretty awesome daily drawing blog.

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MATTHEW CUSICK Paints With Maps

Some artists may use oil paint, acrylic, or watercolor as their medium of choice but Matthew Cusick chooses to create his ultra detailed imagery using the medium of maps. Cusick slices and dices maps of all sizes, colors, and regions to create fantastical images that take you down undiscovered routes and send you on an epic visual voyage. Lets hope you don’t need to stop and ask for directions?

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Jessica Harrison’s Pride & Prejudice And Zombies

British artist Jessica Harrison will blow you away with her zombified sculptures of death!  Very “Pride and Prejudice and Zombies.” Love her sculptures!

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Ross Lovegrove’s Liquidkristal Glass Looks Like Flowing Water



Designer Ross Lovegrove teamed up with glass manufacturer Lasvit to create the new architectural glass panel. The panels take inspiration from natural forms. Using a high precision heat transfer process the crystal glass flows and optically shifts that which is behind it. People and objects look as if they are standing behind a waterfall. Colors warp and fracture throughout the surface. Organic shapes created by nature are processed into dynamic architecture.

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Noriko Ambe’s Sublime Traces

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I know I’ve seen the book on the left circulating on all sorts of blogs, I had been wondering who’s work it was. Now I share the wisdom.

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Ollie Lucas’ Technicolor World Inspired By Graffiti, Glitch, And Design

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Melbourne-based artist Ollie Lucas creates works where colors swirl together with an almost preternatural smoothness, like oil diffusing in water, with more jagged and hard-line separation. Lucas says, My work has always had graphical and clean elements to it. A past life as a graphic designer is to blame there’. Creating works that span painting on enormous wooden spools, to digital works on print and more recent explorations in glitch animations, Lucas explains his influences, ‘Exposure to the graffiti scene in Melbourne has made me question harmony in my work, I have a love for filthy, dirty and weathered paint splattered surfaces, but at the same time I crave clean, modern, hardline geometrics…This is what drives my practice, combining two visual elements that are polar opposites in search for a harmony that i may never obtain.

Lucas work has often confronts two seemingly-opposing forces, graffiti and graphic design, painting and printmaking, natural landscapes with digital glitches, and blends them together. When asked how his work has changed leading up to his solo exhibition Digital Landscapes, at Pierre Peeters Gallery in Auckland, New Zealand, Lucas explains his more recent explorations and realizations in printmaking and digital creation. “It’s the first show I’ve done that is 100% digitally created. I’ve always used digital processes as a starting point in my work, however I felt a finished work needed the element of ‘hand-made’ to make it unique, to separate it from the mass produced. Since creating hundreds of drafts and moving through the paper choice/proofing and printing process I’ve come to realize a print can be just as unique as a painting.”

Though many see printmaking and painting differing in both result and creative impulse, the artist explains the harmony and connection between the two, giving value to both,“Although I have worked with many mediums in the past I still consider myself a painter, mainly because I still think like one and approach my work like a painter would. I think my work reads like a painting also.”

Ollie Lucas’ current exhibition, Digital Landscapes is on view at Pierre Peeters Gallery in Auckland, New Zealand, from now through March 5th, 2014.

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Daniel Everett

"Goals"

Daniel Everett embodies the current technological zeitgeist shared by post dot-com kids, the kids of the dot-com kids, and the relationship we have to our interconnectivity (the internet). His work is jaded, earnest, and self mocking at the same time.

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Scott Weaver Uses 35 Years And Thousands Of Toothpicks to Create A Sculpture Of San Francisco

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What do you get when you combine thousands of toothpicks, glue, and ingenious craftsmanship? You get the work of artist Scott Weaver, who has created a model of San Francisco out of these materials after thirty-five years of creative determination. Nothing more than these two simple materials, toothpicks and glue, forms the intricate layers of this concrete jungle. Scott Weaver began this structure, titled Rolling Through the Bay, in 1974, but has been building sculptures out of toothpicks since he was eight years old. His early work began as abstracts formation, much smaller than his San Francisco masterpiece.

As if constructing such a complex, detailed, city replica out of miniature objects was not impressive enough, Weaver’s piece Rolling Through the Bay is interactive! The structure is kinetic, as it navigates ping pongs balls like tourists through the many infamous sites and neighborhoods that make up San Francisco’s lifeblood. You can see city attractions like the Golden Gate Bridge and Chinatown in his mass of toothpicks, but much more is to be seen. The delicate intricacy of this astonishing sculpture speaks volumes to Scott Weaver’s skill and patience. It is not surprising to know that the artist is a San Francisco native, as is many generations of his family before him. The love and pride of San Francisco can be seen in the time and care that Rolling Through the Bay took to create.
(via Colossal)  All Photography by The Tinkering Studio

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