I’ll be the first to admit that I know absolutely nothing about dance, especially when it comes to ballet. I am, however, a huge Fall fan, which led me to these videos of choreography by Michael Clark, a British dancer who famously shook up the modern dance world by staging avant-garde productions often set to experimental or post-punk music. These clips come from a 1988 ballet called “I Am Curious, Orange” which was scored entirely by The Fall. As far as I can tell, there hasn’t been much proper documentation done of this work, but these YouTube clips, taken from Charles Atlas’ long out of print film Hail the New Puritan will have to suffice.
German artist Claudia Rogge digitally transforms her photography to create patterned and rapturous images of masses of people. Often the subject matter of her work appears bleak or apocalyptic, but ultimately portrays the vulnerable beauty of these deliberately arranged human figures. Even in the photographs that are a bit more chaotic, you can sense Rogge’s careful attention to the patterns she creates, and the order contained within them. Her meticulously composed photographs evoke both a sense of euphoria and foreboding while demonstrating the fractal-like beauty of people en masse. One of Rogge’s biggest challenges in her work is creating a scene that looks genuine and believable with digital effects.
Of her work, Cluadia Rogge says, “The fascination the theme “mass” exerts on me lies both in the content as well as in the formal and aesthetic aspect. As regards content, it is indeed exciting to live in a time that on the one hand trains people for absolute individuality, but an individuality that is defined by mass media, mass consumption, mass tourism etc. Aesthetically, the patterns and rhythms developed from masses are unique. You can find them in shoals and flocking birds as well as in major gatherings like military parades, processions, concerts etc. Regarding this, I do not resort to already existing masses in my works, but simulate my own.”
Fresh from our Flickr Pool I introduce you to Miss Julia Jones of Sydney, Australia. Julia photographs are of the snapshot genre, mostly focusing on her hip set of friends doing all kinds of things from pretending to be Elvis & Iggy Pop to well, looking hip! If I were to judge Julia’s life by her photos I’d think she was living in a non-stop party.. I’m officially jealous.
Make sure to Join the B/D Flickr Pool and you just may see your work posted next!
What a perfect name for a design super-hero. The making of videos and fight-scene choreography are so entertaining, due to leopard pants wearing said hero. Tarantino and Rodriguez should take these dudes on for the next low-budget flick.
Alright folks we are down to the last 15 copies of this book! Based on the sales from yesterday I give it one to two days before we sell out of Beautiful/Decay Book:2 forever! That’s right, once we sell out we will never reprint this book. Hop over to the shop and get your copy or you’ll be stuck surfing Ebay to complete your Beautiful/Decay collection!
Exploring the darker roots of desire in the context of a highly politicized, acquisitive and image-obsessed cosmopolitan consciousness, Doro Hofmann probes at what influences our desires and how these forces drive and/or erode our ability to identify what truly affects our overall wellbeing. Complicating this discussion, Hofman asks whether it is at all necessary to place moral value on desire and the outcomes of pursuing it.
Drawing from present-day media, biblical texts, medieval Roman icons and the works of John Milton, Hofmann’s energetic use of electric colors and exacting hyperrealism painting creates imagined heavens of hells and hells of heavens. There, the viewer is left to decide where they are, where they want to be, and where they will actually go.
Straight out of Rutger’s MFA Painting program, Paul DeMuro is creating some wildly thick paintings. The first time I ever saw his work was at Jolie Laide’s Tri-State show, and he flat-out stole the show. These paintings are way too physically powerful for the internet to capture any of the ka-pow they possess, but you can still get a general feel for these high-energy works. Unfortunately, he just finished up a two-man show with Alex Da Corte at Jolie Laide, entitled BLEACH, but I’m sure he’ll have plenty of future shows so you can get a chance to check out his work in its proper environment (a primer).
Mustafah Abdulaziz’ Memory Loss is a series of photographs captured throughout the United States. His photographs vary widely in content from landscapes to individual portraits to candid groups. They each in some way, though, seem to portray a disarmingly frank American identity. Among other photographs in the series, Abdulaziz groups together an image of little girls returning from a princess tea party with a gathering of tribal elders on an Indian reservation. Indeed, his statement explains that his work “explores social identification and how our ideas of self representation create instances of cultural disconnect.” In 2010 Abdulaziz became the Wall Street Journal’s first contract photographer and in 2012 he was named one of PDN’s New and Emerging Artists to Watch.