Cartoons that look like they are for children but are really for adults are the best. The colors and animation in this dryly funny fable are so natural, maybe its because the animators are from the UK and have old world taste.
Stuffed animals are loved, worn, worshipped, made out with, and ultimately killed in Casiokids video for Det Haster. Watch the full video after the jump.
The creative geniuses at Architectural Elements (AE) have created a torturous-looking metal cage that will give its “prisoners” a taste of near-death. Known as a Faraday cage, the device is used in conjunction with Tesla coils to channel 4 million volts of electricity. Locked in the trap, participants are forced to stand still while the glowing current strikes the barrier inches away from their face. The stamped steel mesh allows the electricity to flow harmlessly around the cage. Even though the device is engineered to be safe, such a close encounter with a lethal force is sure to spike the adrenaline.
Several celebrity magicians — such as David Blaine, Chris Angel, and Penn & Teller — have used Faraday cages in their suspense-filled performances. AE, however, has put their own creative spin on the apparatus, invoking the gothic, “mad scientist” aesthetic of Frankenstein: complete with gears, leather, and aged-looking metal, the cage looks cold and sinister. Below is a further description of the imagination that went into this creepy creation:
“Solid head rivets, accurate involute gear tooth geometry, 3D printed bronze logo and specifically designed brass details, manually distressed reclaimed fir, sculpted hexagonal mesh, expert patination, hand crafted leather work and a thousand other details went into the creation of this masterpiece. These details taken individually are insignificant but as a package turn heads and demand distinction in any setting.
‘It was great to have a project where our staff was able to flex their design and fabrication muscles and make it exactly the way we wanted it,’ said AE owner Joe Clark.” (Source)
The video above shows the construction of the cage, concluding with a brief visual of the electric bolt. It is scheduled for installation at the Spark Museum of Electrical Invention located in Bellingham, Washington, so be sure to check it out. Read more about AE’s Faraday cage here.
Like many of us, Blank William grew up a fan of the Star Wars series. Now, he has used his passion and talent as a designer to create a new variety of Stormtroopers—ones with animal features. His feral, futuristic battalion consists of two series, The New Order: White and The New Order: Black. Currently, there are elephant, rhino, and hippo designs, and William has brilliantly meshed the animals’ physical features with the soldiers’ glossy plastoid armor, dark eyes, and ventilation details. Each one is accentuated with gold or silver, giving them a slightly more lethal and formidable appearance. William’s work seems to be playing off the expressionless and ruthless appearance of the original Stormtroopers.
William’s smooth, space-age style is carried into his other works, including a series of animal chess pieces. You can view more of his work on his website. For our readers with Star Wars on the mind—as we know, The Force Awakens is released next month—we’re curious about what you think of William’s reimagining of the iconic Stormtroopers; do you prefer this look for your favourite soldiers? What other animals would be fit to protect the Empire? Comment below! (Via designboom)
Paco Peregrín is an international photographer who creates experimental characters out of high-fashion images. This particular series is entitled Beautiful Monster, which Peregrín directed with the intention of exploring the effect of makeup on identity:
All photos that integrate Beautiful Monster allude to a very particular concept of beauty (sometimes unusual, alien or even beautifully monstrous), to its ephemeral nature and the passage of time. Naked men and women are on a neutral background where makeup comes great prominence, even avoiding the recognition of the models, thus reflecting on the idea of identity and a proposal for the makeup as a contemporary mask that protects us, on the one hand like a camouflage, [and on] the other helping us to build a super-ego. (Source)
Peregrín’s “Monsters” are fascinating, radiating with acid-bright color and cryptic eroticism. Most often nude, their faces are bound and adorned with rope, tape, paint, and jewels. Something happens when their features are obscured — their expressive bodies appear almost inhuman. In a style best described as hyper-real futurism, the images speak directly to a postmodern society so obsessed with beauty and constructed identities that it slips into beautiful absurdity.
Given that fashion photography is often criticized as being wholly commercialized and thus heavily restricted, Peregrín’s unique style is doubly surprising; he has worked with big names such as Chanel, Diesel, Vogue, and Vanity Fair, but still manages to bring his own creative and unconventional vision into his works. Check out his website for a gallery of his immersive and consistently experimental projects. (Via Art Fucks Me)
With a serious understanding of classic carpet-making techniques, Azerbaijani sculptor Faig Ahmed is able to stretch, distort and reinvent an iconic symbol steeped in tradition and cultural significance. “The carpet is a symbol of invincible tradition of the East, it’s a visualization of an undestroyable icon,” Ahmed states, noting that the manipulation of the woven medium gives visual form to ideas he has relating to “destroying the stereotypes of tradition to create new modern boundaries.” The rug, as a medium, works well for Ahmed, helping to deploy a deeper message about the stretching, bending and restructuring of physical and political boundaries in the Middle East. His technical mastery is evident in the movements of each thread, and his generous use of color gives the work an overall vibrancy—perhaps hinting at the artist’s sense of optimism in a time of great uncertainty and turmoil.
Photographer Fong Qi Wei transforms flowers simply by dismantling them. Her series Exploded Flowers captures a variety of flowers picked apart petal by petal then carefully arranged. The meticulously arrayed petals closely resemble mandalas or celestial bodies. Each composition underscores the unbelievable symmetry packed into often small flowers. However, there is also subtle medical atmosphere to the photographs, as if they were autopsied flowers or like pinned butterflies. Her series has garnered her some awards including 2nd place in the International Photography Awards’ Nature category. [via]