Shay Aaron creates delicious looking, incredibly small, and extremely photo realistic sculptures of all your favorite food items from a delicious stack of cupcakes to the most tasty BBQ favorites. The only shortcoming of the work is that I’d have to eat at least 100,000 pieces by her to justify it even as an afternoon snack.(via gaks)
Sarah Bowman is a photographer based in Nanaimo, Canada, whose passion for portraiture and surrealist imagery has blossomed into this darkly beautiful series, entitled Maiden of Ravens. Made in collaboration with model/visionary Annalise Silverwolf, these images present a romantic, alternative world, wherein an ethereal goddess-figure stalks through the trees and underbrush. With sticks and grasses adorning her head and her forearms covered with what appears to be gauntlets of blood, she melds beautifully with the ominous environment, invoking the spirit of ravens — those beautiful and dark carrion birds that symbolize both life and death. The model’s pale skin and dark red dress add further to the series’ grimly alluring atmosphere. Sarah has done an excellent job accentuating the green and red tones, which highlight the ghostly and rain-wet beauty of Vancouver Island’s forests and swamps.
When I chatted briefly with Sarah about her photography and future projects, she expressed a burgeoning desire to collaborate with designers in the creation of fine art portraiture, as she is inspired by “whimsical, ethereal, and surreal creations.” As an artist, her utmost goal throughout all of her work is to “please [her] viewers and hope to overachieve their expectations,” while also “collaborating with models and […] mak[ing] them feel beautiful and extraordinary about their talent.” Given the depth, intricacy, and evocative power of Maiden of Ravens, there is no doubt that Sarah has indeed achieved and surpassed her creative and professional objectives. Follow her Facebook page and check out her website to keep up with her work as she continues to collaborate with more designers and models in the creation of surrealist, fine art imagery.
Singer and model Viktoria Modesta isn’t satisfied with just the practical everyday. After having to amputate her leg because of medical reasons, she’s reinvented herself as a cyborg pop star, performing graceful pirouettes and sexy catwalks, completely unencumbered by her prosthetic limb.
In her collaboration with Channel 4, Modesta released a music video (watch it after the jump) called “Prototype,” which features her doing a breathtaking dance using her bionic leg like the blade of a knife. It’s a dramatic display of sci-fi elegance, one that ends with the slogan, “Some of us were born to be different; some of us were born to take risks.”
Modesta echoed this sentiment in past interviews, saying, “The time for boring ethical discussions around disability is over. It’s only through feelings of admiration, aspiration, curiosity and envy that we can move forward.” (via Bored Panda)
Stefanos created a Euro Banknote Bombing project by incorporating minimal ink bled illustrations of a callous nature and torpid situations. The human figures he incorporates into the Euros embody the social and economic instability in Greece has been facing for the past few years. On a 100 euro, the Grimm Reaper “reaps” in the shadows. A “bomb” effect to showcase social decay and violence. This is just one of the many heartless illustrations that grace the paper.
Stefanos hijacks the European document, exemplifies artwork through a lack of reality, then returns it by spending it-sending it flight for circulation. By defacing the euro, he expresses his dissatisfaction for the economy to share in the hands of others. The graffiti euros have successfully branched all over, showcasing his depiction of this noise that Greece faces.
This song reminds me of the operatic magical feel of Nightmare Before Christmas- this video is not unlike an ancient Gravure coming to life. Really enchanting motion work. I love the talking rats, the fantasy- Secret of Nimh meets Hayao Miyazaki meets Japanese woodcut- just stunning.
Jeremiah Maddock is a hard guy to pin down. Many have spoken of him as some sort of ghost- a shadowy figure that passes through bars and cafes with a suitcase full of muted drawings, and an unknown past. This legend surrounding the artist, who lives -most of the time- in New York City, creating richly patterned mixed media works populated with ghoulish creatures and tramps, is likely a product of his obvious lack of desire for external validation. It’s clear that Maddock, who has no personal website, maintains a very pure process; he is interested more in the act of creating -and the motivations behind such an act- than any finished product.
I caught up with Jeremiah in-between his extensive travels throughout the interior of the country. Read the interview after the jump, which includes the artist’s thoughts on steez-biting Mayans, art fairs with Josh Keyes in high school, and collaborating with the dead.
A hermetically sealed canning jar containing a piece of sausage that is shaped into the sign of infinity
Adam Niklewicz creates humorous and poetic conceptual sculptures that reference his Polish heritage, his life long love affair with art ( He ate paint as a high school student), and his enginuity to create everything from an infinity sign to a working recorder out of Polish sausage. These and more projects by Adam can be seen after the jump.
Jean-Pierre Roy is a New York-based artist who paints surreal scenes that deconstruct the known world. His work is often associated with science fiction, depicting alien wastelands inhabited by colossal humanoid beings, their bodies laden with geometric shapes, holographic projections, and mirrored panes. Their behaviors are likewise strange; wearing modern clothing, they loom against empty horizons, their faces splintered into expressionless shapes. Many of them appear contemplative, or even violent, pulling the clothes off prone bodies and engaged in silent feuds.
Rather than ascribing to science fiction specifically, however, Roy is more interested in fostering a critical, creative space that allows us to examine the systems of knowledge that construct reality. He strives to explore what he identifies as “the pull of the fantastical”—that moment when “your existential understanding of the nature of things will be questioned.” (Source) By making the earth unearthly, by depicting the self in unexplained contexts, and by crossing the beautiful with the unknown, Roy’s work provides fascinating visions of immaterial and cosmic worlds. (Via Trendland)