This is a bizarre yet interesting project by Russian photographer Igor Starkov. Here is a description of the project in the photographers own words:
Vladivostok amateur photographers often go to the countryside for photo sessions. Anyone can be a model but in general they are young girls and photographers are men of different ages.
The larger and more expensive the camera and the longer the lens, the bigger the chance to find a girl for a photo session.
I was photographing what they have created. Postures, looks, everything was as it would be on amateur photographs with the only difference that I was using film and medium format and perhaps was composing my frames more professionally.
And photographers are eager to touch young girls with their hands, put down a bretelle and may be get to know her closer. There is even a certain competition between the photographers – who managed to take pictures of more beautiful girls, and whose pictures are sexier. To persuade her to pose naked requires mastery not everyone has.
Okay okay, while I know that 1) Halloween was more than a week ago 2) This video doesn’t look like much, you gotta watch it because some high school teacher really attempted to make math class awesome & also used some really clever video art techniques in the process. WATCH IT!
Earth, Wind & Fire: "I Am" (album cover inside), 1979
Shusei Nagaoka (born in 1936) is a Japanese illustrator whose best known works were for music album cover art in the 1970s and 1980s. Some of the artists he did covers for include, ELO, Earth, Wind, and Fire, Caldera, and Pure Prairie League.
Justin Bartlett is self proclaimed black ink warlock from the grim and frostbitten ravenrealm of Southern California who enjoys thee grimm riffs, vberkvlt metals, and other dark musick, times of solitude, skulls, and scotch. He’s done work for indie (and I mean indie) bands and record labels. Pretty awesome. Here’s a quote he leaves you with: “EMBRACE VISUAL HELL!!!”
"View-Alters", Two Viewmatser Model-L Front Pieces, 2006
Los Angeles based artist Chadwick Gibson makes sculpture/devices that border on usability and absurdity by making the innards of various playground-use balls visible in his “Time Out Series” (can you still play tennis when your tennis balls are flipped inside out?), and combining the functionalities and inherent experiences in an elevator and a guillotine with the piece “Speed of Judgment” (mimicking a beheading followed by the sensation of floating above ones headless body).