These are not photos of miniatures or models. Rather these are images from photographer Ben Thomas‘ Cityshrinker series and are actual cities around the world. Thomas uses what is called a ’tilt-shift technique’. Among other things, the technique basically corrects the distortion caused by perspective. This correction often has the appearance of miniaturizing the camera’s subject. Thomas’ images present the world as if it were a toy. Some of the world’s largest cities seem to shrink into playful places. The images turn a lighthearted eye onto some of our favorite places. [via]
What do birds hallucinate about when they go on a drug berry induced psychological trip? I don’t know if any of this would be accurate, but I hope to rainbow laser toting, owl-man monster-bird it is. A gorgeous music video of Hermanos Inglesos’s“Wanderland,” designed by Kristof Luyckx and Michèle Vanparys.
Austrian sculptor Erwin Wurm has been developing an ongoing series of “One Minute Sculptures” since the late 1980’s in which he poses himself or his models in unexpected relationships with everyday objects close at hand, prompting the viewer to question the very definition of sculpture. He seeks to use the “shortest path” in creating each piece — a clear and fast, sometimes humorous, form of expression. As the sculptures are fleeting and meant to be spontaneous and temporary, the images are only captured in photos or on film.
A new batch of character-driven, graphic paintings from Teddy Troops progenitor Flying Fortress was recently on display at Brooklyn’s Mighty Tanaka Gallery. As always, lots of clean lines froms FF’s steady claw. This show is closed, but the gallery is now holding a promising group exhibition entitled “Generations”.
There is no real connections between the center pieces of Thomas Jackson’s pictures and the landscapes in the background. We are seeing tutus, magazines, cups and streamers floating candidly in a scenery of virgin mountains, forests and beaches. The artist is offering a dreamlike visual of what can be perceived as the last moments on earth of these peculiar items.
Each image, part of the emergent behavior series, is an experimental coalition of items placed where they don’t seem to belong. This juxtaposition creates at first a feeling of well being; we foremost notice the swirl and the nature. After a deeper glance at what is really going on there’s a hesitation: are these everyday things really the focus of this beauty? The emphasis is made on industrial versus natural; reality versus imagination. Thomas Jackson’s purpose is to come up with a fresh interpretation of our daily routines. Calling for a distress, if we are brave enough to face it, of what is really going on in our ecosystem.
There has been quite a few inquisition about how the pictures where taken. They were in fact photoshopped and kept as realistic as their originals. Thomas Jackson confesses that he photographed the whole thing and then only removed the prop using photoshop: On the spectrum between “retouched image” and “real time image”, I’ve strived to make it closer to the latter”. When a picture can create such a flow of different kind of emotions, there’s no need to question the retouching. What the artist has created is a hazy fantasy that we wish could appear in real life.
There are some things that are just too awesome to be forgotten…. in a sea of trends that the design world is often forced to weather. Take for instance, the 1960’s revolutionary trend of poster printing called The Black Light poster. You’ve got to love the free form type, the over-the-top color, the hand-drawn graphics. How could we ever say this art is dated? This was Plus, these posters have the dual ability to look great in daylight, and look even better under the glow of a black light in a dark room, (that may or may not smell like marijuana). Everybody loves stuff that glows in the dark, even if they’re not high – though I suppose they’d be even more mind blowing when viewed through the colorful lens of LSD.
In photographer Randy Scott Slavin’s series, Alternative Perspectives, he takes ordinary landscapes and turns them into topsy-turvy, mind-bending sights. At any moment, these panoramic shots make the world appear like it’s going to fold in on itself. Slavin captures all types of terrain, including the red rocks of the Phoenix desert, the beaches in Miami, and the skyscrapers of New York City. These places are transformed in a surreal and psychedelic way.
Salvin takes approximately 100 photos for each image. While he can shoot a scene in less than 10 minutes, it may him hours or days to edit what you see here. The process is a lot of trial and error for the photographer as he figures out what time of day and season is best.
Salvin’s photos not only play with the orientation of the image, but reference time as well. Their circular motion is reminiscent of a wormhole or water spinning down a drain. Both imply a passage, whether it be in years or minutes. (Via Fast Company)