Beautiful/Decay is feeling festive this year….and so, we are having a holiday sale from now until January 1st. ALL merchandise on our online shop is 20% off! Yes everything, from B/D apparel, wallets, Beautiful/Decay subscriptions, jewelry, art zines and books….you name it! Just type in our special code BDXMAS20 at check out to save on your entire order! Hurry though- most orders must be placed by Dec. 16th-23rd to arrive in time for the Christmas holiday- check shipping deadlines after the jump!
Satan as a headless-masquerade holding ghost on an abandoned island floating in the deep, dark void of space creating life from clay and striking them down, all in front of tiny children. Yes! Amazing excerpt from a stop motion version of Mark Twain’s Mysterious Stranger, by Will Vinton. Censored from many TV stations. Yes!
Ellen Jewett is a Canadian artist who creates flowing sculptural fusions of plants, animals and objects. Among her mystical menagerie is a wild boar with shrubs growing from its mane, foxes with tails sprouting into grass, and a deer whose body resembles a tree-shrouded grove. As singular beasts, Jewett’s creatures are beautiful and dynamic, but look closer and you will see that each one is composed of tinier parts, microcosms of flora, fauna, and objects that weave seamlessly together. These layered components infuse each sculpture with multiple narratives, from celebrations of life and growth, to stories of death, decay, and burden in the form of manmade debris. As Jewett explains:
At first glance my work explores the more modern prosaic concept of nature: a source of serene nostalgia balanced with the more visceral experience of ‘wildness’ as remarkably alien and indifferent. Upon closer inspection of each ‘creature’ the viewer may discover a frieze on which themes as familiar as domestication and as abrasive as domination fall into sharp relief. (Source)
Jewett makes the sculptures from the inside out, layering materials and utilizing negative space to create hollowed works that flow into the air around them: dense frames unravel into breezy foliage and empty space, creating habitats for fluttering, sculpted birds. The results of these disentangled bodies are creatures that speak their strengths via expressions of lightness, vulnerability, and emotion. Jewett describes this effect:
Over time I find my sculptures are evolving to be of greater emotional presence by using less physical substance: I subtract more and more to increase the negative space. The element of weight, which has always seemed so fundamentally tied to the medium of sculpture, is stripped away and the laws of gravity are no longer in full effect. In reading the stories contained in each piece we are forced to acknowledge their emotional gravity cloaked as it is in the light, the feminine, the fragile, and the unknowable. (Source)
As part of her creative and flowing artistic practice, Jewett strives to free her work from materials with toxic properties, such as glazes, paints, and finishes. This greatly limits what she can use, but at the same time, incites her imagination and makes her work even more unique. “Where possible I source the natural, the local, the low impact and, always, the authentic,” she writes (Source). Check out Jewett’s website for more beautiful and holistic creations. (Via Lost at E Minor)
The space in Claudia Cortinez’s work is so convincing that it’s easy to imagine air whistling through the latticed forms. I can’t decide if these are space stations or awesome backyards, but either way I want to hang out there.
Shannon Freshwater is interested in the mysterious and unknown, and finds inspiration in her own fears of death, decay, ghosts,vortexes, and various other natural and supernatural events.
San Francisco based Aeschleah deMartino takes beautiful photos of beautiful people. See more of her work after the jump.
Gorgeous fragmented mixed media abstractions by Josh Reames reference everything from architecture to graffiti.
Olaf Breuning‘s The Art Freaks, is a group of color photographs transposing the signature styles of seminal 20th-century artists into prosaic body painting. If the manners in which Breuning’s subjects have been painted are not immediately identifiable, then titles like Andy, Frieda, and Piet confirm their references. Stemming from the artist’s recent investigation into his idiosyncratic relationship with modern and contemporary art, the larger than life-sized prints of elaborately painted bodies, which comprise The Art Freaks, conflate the tropes of so-called high and low artistic techniques as they discuss notions of kitsch, cliché, and reproduction.
As Breuning humorously attempts to imitate Takashi Murakami’s character Kiki (Takashi ) or the mounting release of Edvard Munch’s The Scream (1893) in Edvard (2011), he also mimics street performers who paint their bodies to transform into unique characters for the amusement, and pocket money, of passers-by; a tantamount treatment of craft, medium, and cultural signifiers that pervades Breuning’s multifarious oeuvre. Whether through his drawings, sculptures, or well-known website, the specific brand of pastiche Breuning employs in his work is a decidedly indiscriminate one that draws on everything from the Easter Bunny to Andy Warhol’s Marilyns.
Both humorous and uncanny, The Art Freaks not only questions our relationship to the enduring artworks Breuning choses to reference in his series, but also to the reproductions and consumable patina through which most of us experience these artists’ works and their distinctive aesthetics. (via davids sketchbook)
If you want to see more work by Olaf Breuning we recommend Beautiful/Decay Magazine Issue: Y which includes a very nice feature on the artist.