For their exhibition, Telephone Blue, taking place at Synchronicity Space on April 20 – May 19, Aaron Anderson, Eric Carlson and Crystal Quinn (founding members of the artist collective Hardland/Heartland) continue their formal practice of intuitive collaboration to produce narratives of playful allegories and coded symbols that materialize as drawing, video, and sculpture. This exhibition will exist as an extension, literally and figuratively speaking. Physical work existing in a digital world that happens to be an extension of our physical world.
In addition to the physical gallery show the three artists have collaborated with LA artist Spencer Longo on a web based project that lives on the Synchronicity website called LA Internet. See LA Internet at www.syncspacela.com at anytime and visit the shows opening tonight from 7-10pm at 713 Heliotrope, LA, CA 90029.
As a bit of a followup to the previous post on shadow art, here is a video on Kumi Yamashita. Her work is incredibly innovative. After looking at the images and wondering how she made them, watching this video is quite insightful.
Who says street art has to be rough and tough? The good folks over at Eyebombing have made it their mission to spread the joyous and fun message of putting googly eyes on everyday objects and to bring smiles to random peoples faces. You can join their mission of laughter and joy by getting your own googly eye stickers and discovering the faces that start to emerge out of the mundane architecture that we pass by everyday.
In a black & white Paris, little creatures with paintbrush decide to brighten up the city…
Reulf is student project from University of Paris VIII directed by Quentin Carnicelli, Charles Klipfel & Jean-François Jégo as part of our graduate program in Arts and Technologies de l’Image. Music composed by Robert le magnifique & Olivier Mellano.
Lily Morris is an emerging artist based out of Brooklyn, NY. Detailed and yet distorted, her paintings depict foggy but seemingly familiar scenes that require squinting eyes and conjure a feeling akin to driving somewhere remote in the pouring rain. Her style fluctuates between washy layers of oil and solid photographic realism. Subjects and objects are caught exploding, describing the very instant an action occurs- the horrifying moment before perception intervenes and untangles what just happened. Morris’s paintings recount these inexplicable, fleeting moments of confusion and lay them out in raw and compelling fashion.
Small Victories, the latest project by Booooooom, opens Thursday May 20th at Hong Kong’s Above Second gallery. This collaborative experiment came together by requesting 4×6 photographic prints from numerous participants, and aims to be “a photographic celebration of the quietly beautiful, unintentionally funny, people and things all around us. It is these little moments that make life worth living.” If you can’t make it to Hong Kong, Booooooom.com will be posting the submissions.
May 20th at Above Second gallery, 31 Eastern Street Hong Kong.
Jean Marembert (1904 – 1968) was a founder of the group with Louis Cattiaux – a group of Surrealists of a more decorative nature. His work is also, like Giuseppe Arcimboldo’s work, looks like it was made in this century instead of the last. That just goes to show how our current sensibilities are based off the past. Old aesthetics are recurring and cycled through, even filtered down. That’s why I believe it when people say that nothing is ever original anymore.
The controversial rendition of Richard Wagners Die Walküre is still at the Dorothy Chandler Pavilion for a couple more days. You may recognize scores from Die Walküre, or The Valkyrie from Apocalypse Now, or pretty much any scene from a movie where bombs are getting dropped. The interesting aspect of this otherwise ultra-dated opera is that, aside from the music and singing, everything about this performance is modern. Modern like all the props are made out of neon tubes. And most importantly, Placido Domingo, one of the two remaining Three Tenors, is the leading role.