Brooklyn based artist David Samuel Stern takes still photographs, and fuses them together so that they appear to be in motion. He begins by taking two portraits of the same person, and then carefully and meticulously cuts them apart before physically weaving them back into one another. This not only creates amazing texture and an interesting checkered pattern, but combines physical features until the composition.
become a hybrid of two faces. With a light and airy palette, these breathtaking photographic prints become ghosts of themselves, two versions or the same person. Two different emotions are often present, creating an interesting dichotomy of the internal character. We are seeing two sides of the subjects, as the weaving alters and skews our perspective. Stern’s highly original technique abstracts the portraits so that they seem to be caught in mid motion. Both original images become blurred after they are combines by weaving. The once crisp photographic prints are transformed by their alteration, creating a painterly atmosphere. David Samuel Stern’s method is simple yet powerful, exposing two sides of each of his subjects. However, the abstraction present in his work also hides elements and details of the portraits as well.
You can see David Samuel Stern’s mesmerizing, photographic work on view at the BAM Harvey Theater in New York City from September 16 through December 20th.
Since the first photograph, photography has ushered forth in producing a consequential depiction of truths through the containment of fleeting moments in a tangible and archival format. Instances in time are revealed as light falls upon sensitized paper, asserting the presence of each photograph’s content. The picture plane remains uniform, constricted by its own variable, physical dimensions: a synthetic simulacrum of a three-dimensional reality that will forever remain in constant flux. And yet, in spite of presenting elements of proof based within reality, the upheaval of the actual authenticity of the photograph has found itself under siege.
Through a variety of executions, the following artists working with the photographic medium twist this truism in unique and awe-inspiring ways, abolishing preconceived notions of photography through a re-presentation of the photograph. In their reconsideration of the ordinarily static picture plane, form is pushed beyond the confines of the image through the destruction, manipulation or interference of the photograph.
You don’t often see abstraction in photography but Gregory Kaplowitz has managed to make an interesting portfolio of abstract color field photographs using various printing techniques. Gregory also has a few illustrative works in his portfolio for those of you who are abstraction challenged.