I’m really digging the often surreal, always vibrantly colorful and playfully geometric paintings of Paul Wackers.
From his artist’s statement: “My work is first a response to the world and then a reaction to what it has to offer. Images surround me as abstract concepts, presented by the curious interaction of forms, feelings, and situations. They offer a glimpse into the way the world is constantly being reloaded with opportunities and options for reinterpretations and impressions. It might start with a beam of light passing through a window in the afternoon and that within that beam there is the potential of a full spectrum to appear. In my paintings I try to create the feeling of getting lost in the thoughts that are easily ignored or put aside.”
Argentinian artist Estela A Cuadro has a body of work both ethereal and precise. She has beautiful pen work layered with watercolor backdrops creating worlds of her own. Her pieces show themes of acrobatics and carnival in an understated way.
LA-based artist Melissa Manfull‘s watercolors and drawings are all at once architectural and abstract. And, wouldn’t you know it, modern architecture and colorful, geometric art are two of my favorite things. Manfull has studied and practiced studio art both in the US and Canada, but she is now living and work in Los Angeles, California, USA. She has had a few solo exhibitions, and is currently represented by Taylor de Cordoba Gallery.
Jose Lerma‘s work borders between 17th century noble portraiture and wild abstractionism. Unlike his college teachings at the University of Wisconsin-Madison he works outside of the box with heavy brush strokes and massive amounts of paint. Which adds another dimension to his work: texture. Lerma also dabbled in political science and law and an MFA in painting, he is an internationally exhibiting artist with shows in Berlin, Korea, New York, Belgium, and Italy, Puerto Rico, and Houston. If you happened to miss the big article we did on Jose in book 2 you can still get a copy and read the massive interview with him. Available here!
The artist’s canvas is not just where the brush meets the surface. It is also a window into the artist’s mind. When viewing Lari Pittman’s work, the flashes of bright color and chaotic landscape of wild, yet calculated brush strokes, tantalize your eyes. You’re looking through the window of a genius. It always amazes me how people conceptualize abstract works such as this. Truly remarkable.
For over 25 years, Woods Davy has worked with natural materials (primarily stone) as his medium of choice. In an incredible balancing act, he places the stones in fascinating formations that intrigue the mind. With his work with stones, he became one of the first “green” Postmodern artists. Even artists go green! You can catch Woods Davy’s exhibit at the Craig Krull Gallery in Bergamot Station, Santa Monica, CA until October 9th.
Hair. That’s right, I said HAIR. Agustina Woodgate gives new life to discarded human hair. After I saw “I Wanted to be a Princess” and “Sleepers“, I knew immediately that this was stretching the boundaries of what people consider art. Woodgate creates with stunning realism a portion of a castle reminiscent of one from Rapunzel, made with 3,000 blocks of human hair. In Sleepers, she constructed a pair of… slippers, perhaps even sturdy enough to wear outside. Through her work, she explores the relation between everyday objects and places and the overarching narratives that condition our unnatural relationship to the natural world.