Lari Pittman

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The artist’s canvas is not just where the brush meets the surface. It is also a window into the artist’s mind. When viewing Lari Pittman’s work, the flashes of bright color and chaotic landscape of wild, yet calculated brush strokes, tantalize your eyes. You’re looking through the window of a genius. It always amazes me how people conceptualize abstract works such as this. Truly remarkable.

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Woods Davy

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For over 25 years, Woods Davy has worked with natural materials (primarily stone) as his medium of choice. In an incredible balancing act, he places the stones in fascinating formations that intrigue the mind. With his work with stones, he became one of the first “green” Postmodern artists. Even artists go green! You can catch Woods Davy’s exhibit at the Craig Krull Gallery in Bergamot Station, Santa Monica, CA until October 9th.

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Agustina Woodgate

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Hair. That’s right, I said HAIR. Agustina Woodgate gives new life to discarded human hair. After I saw “I Wanted to be a Princess” and “Sleepers“, I knew immediately that this was stretching the boundaries of what people consider art. Woodgate creates with stunning realism a portion of a castle reminiscent of one from Rapunzel, made with 3,000 blocks of human hair. In Sleepers, she constructed a pair of… slippers, perhaps even sturdy enough to wear outside. Through her work, she explores the relation between everyday objects and places and the overarching narratives that condition our unnatural relationship to the natural world.

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Roya Hamburger

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Stunning work by the artist Roya Hamburger.

More abstract work after the jump.

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Brian Cooper

Interiority (2007), 35.75 x 47.75

Interiority (2007), 35.75 x 47.75

Artist Brian Cooper‘s paintings explore the idea of landscape and space through abstract representation. His work features surreal situations that appear to explode from their ‘real’ counterparts. Check out the way he uses depth by contrasting the ” tension between flat and far” to create eerie and fantastical environments. I love how, as the viewer, I get sucked into the padded rooms and sharp angles of his creative, dali-esque compositions. The structures and strange shapes become more enticing through Cooper’s use of rich colors. There’s a cool tangible quality to the visual textures of the abstract surfaces, especially in Bulge, posted after the jump.

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