Mike Dargas’ Lusciously Hyperrealistic Paintings Of People Dripping In Honey

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German artist Mike Dargas paints hyperrealistic works of women’s’ faces covered in honey. The luscious, visceral images are up-close, frontal portraits that show the gentle creases in skin as well as the viscous glare on the liquid as it travels down their face. It’s fascinating to see people dripping with thick substance – it’s as if they’re frozen in time.

Dargas finds the models for his painting in everyday life, and they aren’t limited to specific types. According to his website, “He portrays young and old, beautiful and dark, fragile and strong people. They are lost in thoughts, show inner conflicts or transmit a unique and sometimes even holy calmness.

Dargas isn’t the only one to douse his subjects in honey. Check out Blake Little’s photos of nude models covered in buckets and buckets of the stuff. (Via The Artful Desperado)

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Fabien Mérelle’s Delicate Drawings Of Anxiety-Inducing Nightmares

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Artist Fabien Mérelle’s delicate drawings revolve around insecurities and nightmares. His surreal images often feature himself as the main subject, and Mérelle doesn’t exactly paint himself in the greatest light. He’s seen naked, being attacked by giant bugs, and struggling to hold the weight of an entire elephant on his shoulders. It doesn’t look pleasant and the misery seems unavoidable.

While Mérelle’s drawings are self portraits, they speak to a larger audience. Anyone who has felt crippling anxiety, stress, or even just an unpleasant feeling will be able to relate to these heavily symbolic images. They are what nightmares are made out of – not the gruesome ones, of course, but the kind where you feel emotionally spent and groggy when you wake up. (Via Cross Connect Magazine and Hi Fructose)

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Giacomo Carmagnola Adds A Glitchy Touch To Historical Photography

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Artist Giacomo Carmagnola uses digital tools to add a unique, glitchy twist to photos of the past. Faces and objects are obscured with long, colorful strands that seem to melt, as if it’s some sort of ooze that’s absorbing the rest composition. The crucifiction of Christ now has green trails that emanating from the cross. Likewise, a guillotine blades have been replaced with the same type of strands. The photographs are still recognizable, but now offer a colorful addition that changes their meaning. And depending on your point of view, make them funny or profane.

The Italian-born creative writes on Dazed Digital, “I’m completely absorbed by glitch art. I’ve always been attracted to its aesthetics; I’m not talking about philosophy or higher concepts, but just its plain visual pleasure.” One way to create this effect is with a processing pixel sorting script that’s applied to the image. “I see these images as an alternative beauty. I find it extremely fascinating how the same image can change so much by keeping its original ‘skeleton’. Of course they’re also visually impactful. But before this, I find them simply beautiful.” (Via Dazed Digital)

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Alex Garant Adds a Twist on Traditional Portraits Of Women With Multiple Eyes

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Artist Alex Garant paints dizzying works of women that have multiple eyes and are seen in double vision. The traditionally-styled oil paintings are a unique take on the standard portrait, as they combine optical-illusions, realistic renderings, and repeat patterns. This offers a graphic element to her compositions where the background and foregrounds fuse to flatten the entire thing.

Garant finds inspiration in early ink printing, vintage pop surrealism, baroque tapestries, and retro kitsch. So, it’s no surprise that we see these patterns edging on and covering the faces of these subjects.

According to the artist’s website, she uses “patterns, duplication of elements,  symmetry and image superposition as a way to engage the viewer into her imagery.” The standard, front-facing portraits are made unique with offset facial features and a clash of visual cultures throughout time. (Via L’ACTE GRATUIT)

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Wookjae Maeng’s Ghostly Ceramics Express The Relationship Between Man And Animal

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Wookjae Maeng is a Korean artist who works with ceramics, focusing on the relationships between man and animal. The ghostly pieces often resemble commemorative busts or mounted heads reminiscent of big game trophies (the kind you’d seen in a hunter’s den). Sometimes, works are painted to blend in with wall treatments or trendy decor.

I concentrate on art as a vehicle to communicate contemporary social and environmental problems to the viewer by stimulating, not just emotion, but sensibilities and memories,” Maeng writes. Stimulus is an important idea, and it’s used to evoke the viewer’s curiosity and to inspire them to figure the greater meaning of the work.

Maeng also explains why he chose to feature animals in his sculptures:

In our environment, numerous creatures live in harmony. Yet there are other creatures that merely exist without enjoying their natural right due to human classification and negligence. I would like to express the nature of the relationship between human and other creatures-a relationship that, in other to thrive, demands careful coexistence and balance between the urban and the natural, for example, and an awareness and empathy for less visible creatures. In my work I hope to provide an opportunity-however brief-for modern man to consider the realities of the environment in which he exists, even as he continues his daily existence indifferent to it. (Via Optically Addicted)

 

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Jennifer Presant’s Alluring Paintings Blur The Lines Between Recollection, Projection, And Reality

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Artist Jennifer Presant is a painter with training in figurative realism and a background in graphic design. Her multifaceted works are a combination of indoor and outdoor spaces. Bedrooms look like they’re in a park, statues are on beaches, and French doors open onto ice. “Thematically, my paintings address the complexity of memory, by blurring the lines between recollection, projection, and reality,” Presant writes in an artist statement. “Each painting becomes a psychological landscape or waking dream, reinforcing the fluid relationships between time, memory and place.

The contemporary media has a huge impact on the content of Presant’s images. She says:

By merging both real and fictitious images in these painted fictional documentaries, I explore the conflation of our media-saturated lives and our lived reality; we live among images and in many ways as images. Our memories of events have become distorted. With media today, we have grown accustomed to watching ourselves and living from a voyeuristic standpoint. With these paintings, the viewer’s imagination plays an important role in the piece, while also being implicated in the voyeurism depicted. (Via Feather of Me)

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Sophie Derrick’s Colorful, Layered Self Portraits Created By Painting Directly Onto Her Skin

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British artist Sophie Derrick paints directly onto her skin and adds colorful layers of swirling pigment to her face and neck. Once she’s completed it, she’ll photograph the result and then paint onto that image. The result is a multi-layered, textured portrait that gives the viewer an incredible sense of depth. Derrick’s painting style is abstract – focusing on bright pinks, blues, oranges, and more – and she’ll vary how the paint is applied. It often looks like she uses a palette knife to make thick, frosting-like strokes, but she’ll also use the paint tube to draw lines on the skin.

“I have a great interest in the materiality and substance of paint, and execute this interest through photography, creating a juxtaposition of the two mediums,” Derrick writes. “My body becomes the canvas for the paint, questioning the traditional concept of painting and portraiture, and the barriers between painting and photography. The body becomes both object and subject in the work.” (Via Art Fucks Me)

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“Gluten Free Museum” Imagines Art History Without The Grain

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For many people, eating gluten-free is a way of life. But, what happens when you not only remove wheat products from your diet, but from art history, too? The amusing Tumblr called Gluten Free Museum shows us just what that’d look like. It strips the offending protein from paintings, advertisements, and Chief Wiggum’s hands.

There’s a “before” and “after” element to each Gluten Free Museum post. The before, of course, is the original artwork, and the after is it sans grain. You don’t necessarily realize how integral gluten is in artistic compositions throughout history. Suddenly, though, things look bare. There’s no bread on the table, and the peasants are just picking at the ground without purpose. It demonstrates just how large of a role gluten plays in the art world, and sometimes, it’s at the center of it.

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