Bohyun Yoon has lived in Japan, Korea, and The States. He uses these “diverse social experiences” as a point of reference for his work, which circles around societal restraints and progressive concepts of the body: possible extensions and perils with the advancement of technology/war/culture on a personal and holistic level.
His installation work “Unity” (2009), “Structure of Shadow” (2007), and “Shadow” (2004) casts light on miniature wax body parts which physically dangle aimlessly; however, when illuminated by a light source, these fragmentations create shadows or illusions which illustrate figurative wholeness.
Tethered to our bodies and systems of government, our parts and puppetry, is in essence, our humanness or machinery, or as Yoon explains, what makes us “weak and fragile, spiritless animals under certain rule, certain harsh conditions.” His work also resonates with a sense of devastation felt by veterans returning wounded from battle, physically and spiritually.
Detroit artist Trisha Holt builds performative sculpture from blown-up photographs twisted, masked, or hugged onto live models in everyday settings, then reshoots for a surrealistic effect. This series, titled Love Child, creatively cross-breeds two iconic & artistic souls with one another. The top image, for example, is the offspring of “Charlie White + Katy Grannan“. The second one is of “Man Ray + Francesca Woodman”. Both are titled so accordingly. Can you see the resemblance?
Holt’s work is a stunning collection of mash-ups which humorously and humbly troubles over its own worth in the world, playfully echoing this song by The Supremes: “Love child, love child / Never quite as good / Afraid, ashamed, misunderstood / But I’ll always love you.”
The UK’s Matt Martin is a film photographer working out of Brighton. His work gives us a refreshingly intimate look at adventure, a subject that’s typically trampled to death by passionless snapshots, Matt shows us how to do it right. He’s also an extra hardworking and motivated young man, heading up The Photocopy Club, a series of DIY photography exhibitions aimed to take photography off of the screen and back into the hands of the people using one of the most accessible mediums – the photocopy. The next show opens in London on Feb. 3rd.
Much of this series of photos was taken from Matt Martin’s new double-zine Goodnight Neverland / Thank God I’m Forgiven published by No Fun Press.
A recent graduate of Ontario College of Art and Design (OCAD), Stanzie Tooth paints scenes that evoke a sense of calm. Her works often feature woodland landscapes, sometimes bursting with pastel hues that would make a Fauvist blush.
A1One (aka Tanha) has claimed his influences to be as diverse as Australian Aboriginal art to Mayan narrative hieroglyphics, but what stands out most in his recent works is his strong connection to his Persian heritage and his Iranian homeland. A1One has been gaining recognition lately and rightfully so. His colorful, intricate scrawls on Tehran’s walls and canvases artfully blend Arabic calligraphy with current street culture, as well as address social issues around the globe.
If you’ve ever renovated a home you know how challenging it is to find floor coverings that fit in with your Eames Eiffel chairs and Eli Walker paintings. And if you’re looking for something that’s made in the USA, great quality and environmentally friendly, it’s an even greater challenge. That’s where Stonepeak Ceramics comes in, they offer Italian quality tiles made in the USA using advanced technology to reduce waste and even carry a Greenguard certification.
Los Angeles-based Tanya Anguiniga’s work belies her upbringing in Tijuana, Mexico with it’s use of textile and color. Her vibrant work often uses materials over existing furniture, forcing the onlooker to reconsider the beauty in these every day objects.