Brooklyn-based photographer Ji Yeo creates Somewhere on the Path, I See You, a project in which the photographer captures two different types of women: one with extreme self-regulation and distorted notions of beauty that suffer from eating disorders, and the other women are aspiring actresses and models living in Hollywood, California, who are interested in the process of being represented because they carry dreams of fame.
By carefully selecting various body and personality types ,Yeo creates a sample of photos (and people) that further examine larger societal issues regarding ideas of beauty, self-definition, and self-respect.
By forcing viewers to confront images of women who by definition had been judged continuously by themselves, it brought focus to the viewers natural impulse to judge. In doing so it implicates them in the complex relationship we have with making aesthetic judgments.
George Chamoun, a Swedish jewelry design student at the Konstfack University of the Arts, creates Iconatomy, a project that critically looks at celebrities, fashion icons, political, religious, and other personalities that influenced the confines of beauty today. The artist perfectly arranges the new and the old fragments of celebrity faces, so that upon a quick glance, viewers might think they are looking at just one subject. Each compilation features two faces representing the past and the present of glamour and fame.
Chamoun’s collection of mash-ups are striking in that we barely find differences between these timeless icons. I think this makes up for a strange, but obvious conclusion: we still look for perfect, youthful faces… standards of beauty have remained the same throughout all of these years. In fact, it has stayed so much the same that celebrities now resemble the ones before their time.
Apart from making this statement, I think we can’t deny that there is also an eagerness to resemble times in which beauty was a bit more natural than what it is today. Celebrities, stylist, hair dresser, etc have the urgency to emulate classic beauty. However, they are trying so hard that they all back on unnatural ways to make that happen.
Similarly, Marc Ghali, Canada-based photographer, also works within this framework.
Women have had the opportunity to rise against the perfection of the ad model. For instance, Jes from The Militant Baker goes against the grain by reinventing the black and white, over-perfected couple shots seen in Abercrombie and Fitch’s stores by posing, as a plus size model, with the regular Abercrombie male model. Many ad campaigns [Dove, Hanes, etc] have also done the same thing countless of times by producing content that celebrates the fact that beauty comes in every shape and size. These ads, however, almost never feature men, but only women.
So what happens with men? Do they not go through the same? Are they not as affected by the distorted ideals of beauty as much as women are?
In this photo series, Jenny Francis and The Daily tabloid newspaper, The Sun [England] teamed up to show how real men compare to the popular underwear ads that showcase the chiseled abs and faked tanned male models.
Four average looking men, stood alongside David Beckham, Cristiano Ronaldo, Freddie Ljungberg, and David Gandy to show off what a real life man would look like wearing the same exact underwear and standing in the same exact poses. The photos are quite funny, but they are also quite empowering as the provocative poses and the polarity of bodies shown in the comparisons further examine the different male body types out there, from short and thin, to tall and bulky. Just like women, many men are confronted with the issue of body ideals that are often impossible to achieve. (Via My Modern Met)