Yugoslavian Bernharda Xilko‘s illustrations are stark nightmares packed with active nudes and foreboding giants exploring unfolding landscapes and black-eyed lovers. Xilko’s sexually charged figures climb scaffolding, push open folding screens, and confront over-sized replicas in barren mountain ranges where platforms unstably rest. There always seems to be a sense of teamwork, but it is teamwork that is either ignorant of the task’s ultimate result or work that feels intentionally ominous. When clothing is adorned it often feels as if it is from the decades of black and white television which provides a conceptual link for the lack of color, and the garbs warn feel blue-collar and commonplace, making these figure’s lives and mission feel almost ant-like in its diligence and insignificance. The work shares the vibe that the Twilight Zone often evokes but in a more grotesque and explicit manner.