Australian artist Joseph Marr creates remarkable human-sized sculptures that are made out of sugar. The translucent candy-like texture gives the naked bodies a sensual feel and its color and whimsical appeal. Marr colors the sculptures with ingredients like cola and raspberry fruit; don’t try eating them, though—most are protected by a layer of polyurethane.
Marr uses the delicious medium in order to convey that sexually charged aura that accompanies the stripped down sculptures. According to TreadHunter, the juxtaposition between the sugary syrup and the naked bodies represents the way that sexual relationships can be sweet and satisfying, but also the way in which people get themselves into sticky situations over lust and desire.
Sex sells and so does candy- the combination of both is bound to create extra appeal to the already wonderful creations.
Joseph Marr was born in 1979 in Australia and now lives and works in Berlin.(via Tread Hunter)
Nicole Andrijevic and Tanya Schultz, an Australian artist duo, Pip&Pop, collaborate to create delicious-looking installation in various galleries around the world. The constructions, intricately intalled in a gallery floor, is made out of colourful sweets mixed with glitter, beads, modelling clay, wax, polystyrene, wire, toys, sand, and other equally vibrant found objects.
This mini candy wonderland, a cartooonish looking maquette, is heavily influenced by Japanese pop culture.
“Throughout history there has been a long tradition of depicting journeys through, and in search of, imaginary lands and utopian worlds[...] the work draws on this rich history of other worlds as told through mythologies, Japanese folk tales, video games, cinema, children’s literature and ancient cosmologies.”
Photographer Emily Blincoe has created a bright, fun, and mouth-watering photo series using a candy color palette. Blincoe’s series features candy grouped by color and meticulously arranged using a background that matches the featured candy’s color. This series provokes a number of sensory experiences related to color and how we perceive the taste, smell, and texture of a candy because of its color. These photographs also bring us back to childhood’s first encounters with the arrangement of candy in sweet shops, and the allure found in shiny unwrapped packages. Some of Blincoe’s other photography also features various neatly-arranged groups of objects. She currently lives in Austin, Texas.
The artwork created by the Japanese art collective known as Three creates work with a political subtext as powerful as it is subtle. Three often uses common food objects such as fish shaped soy sauce packets or candy. For example, the installation Eat Me uses 7,000 wrapped candy pieces hung from the gallery ceiling in the shape of a house. Visitors are encouraged to pluck candy from the installation and toss the wrapper in a corner set aside in the gallery. Slowly throughout the day the ‘house’ of candy is transformed into a pile of trash – a symbolic recreation of the overwhelming destruction of homes by Japan’s 2011 earthquake and tsunami.