Stephen Aldrich carefully cuts woodcut prints, steel engravings, and other printed epehemra from the Victorian Age to create these sardonically surreal new vistas of the era. Yes, Garret, I like this because it’s Victorian!
He will be showing his work at NYC’s Foley Gallery from September 9- October 23.
Grace Miceli is an artist based over at Burlington, Vermont. I am really enjoying her portfolio of collage, and photographs. Her collages in particular are pretty interesting as they range from satirical to full of humor.
Yi-Hsin Tzeng uses various mediums to construct and communicate her sense of black humor and outside viewpoint. Her recent series on defacing and appropriating public images (magazines, political figures, fashion, etc.) is an attempt at regaining some control over the surreal absurdity that comes with the fake, posed, and plastic nature of public images.
Amsterdam artist Mark Boellaard has a simple approach to collage. He uses new techniques marked by overtones of Surrealism. Follow his blog for more works by him. Or, for those fellow Flickr users, follow him on Flickr!
Marek Haiduk is a designer form Germany. I like the interplay of black and white photography, a Minimalist color pallet and geometric shapes. Haiduk currently resides in Vienna, Austria. His work has been featured in publications like Computer Arts and recently exhibited at Lumas, a Berlin based gallery.
Just found Jesse Draxler’s pics on the B/D Creative Pic Pool. Every now and again I like to check out what our readers got goin’ on. The premise of these images is super simple: vintage photo + black face paint + colored background. But the result kind of looks like funky super hero trading cards that you wish you found at a flea market!
Mira Thomsen’s collages look quite natural from afar, nothing too crazy about crystalline structures and topiaries, right? WRONG. I like that the oddness of her images doesn’t jump off the page and try to strangle you, it just sort of sits back in its chaise, takes a sip of its mint julep, and says “That’s right, I’m looking at you.” It’s the subtlety that makes it all the more intriguing.