For Cynthia Greig‘s project, “Representations,” the artist whitewashes objects with ordinary white house paint before using charcoal to outline the items, then photographing the transformed objects against a white background. The effect renders the image as two-dimensional, appearing to be digitally manipulated or hand-drawn. The objects used, now in black and white, appear more iconic and symbolic than they would appear unaltered. In her artist statement, Greig explains that her work is an homage toWilliam Henry Fox Talbot and his treatise, “The Pencil of Nature.” Greig’s photographs ask observers to consider the truth of photography by challenging our perception of the reality of common objects.
“I’m interested in how we learn to see, identify and remember, and the role images play in the codification of perceptual and mnemonic experience. By denying certain aesthetic expectations and assumptions, Representations intends to interrupt a more conventional, passive viewing experience, and provoke the viewer into seeing a photograph as if for the first time.” (via my modern met)