Using an assortment of discarded paper goods and household items, artist Lisa Hoke creates large-scale collage installations on walls. From afar, you might not realize what materials that she’s used, but upon closer inspection you’ll notice there are cardboard boxes, trading cards, cups, plates, cups, stickers, and more. The use of these items is Hoke’s way of commenting on the amount of refuse we produced and how we overlook the beauty of these objects. She’s right. If you think about all of the work that goes into designing and producing packaging, then it is a shame to discard it. Her color-coordinating, lusciously textured work gives these objects a second life and a chance for viewers to appreciate it beyond it’s primary function. Hoke even allows them to participate by donating items to be used in her work.
In an article in Arts Sarasota, Hoke says, “Castaway treasures become my tools for expression of beauty.” Her work unfolds organically, as she recognizes that you can’t completely plan for any installation.When she’s finished, the work is often a surprise to not only the viewers, but herself.
There is a both a visual delight and over stimulation that comes from looking at Hoke’s installations. This representation of our over-abundant consumer culture has a dizzying amount of bright colors, logos and patterns. They vibrate against each other, competing for our attention. Here, it seems the old adage “art imitates life” rings true. (Via Junk Culture)
Eddy De Azevedo used discarded lighters he had found and assembled them to into reimagined Mark Rothko works. Using Rothko’s color field paintings as a guide, De Azevedo created a photographic series using hundreds of lighters. He carefully collected and arranged the objects, which vary in color, size, and luminosity. When grouped together, his photographs are pleasing to look at as a whole or for their individual details.
The lighters work well as an interpretation of Rothko’s paintings. The original color fields are not flat colors, but vary in intensity, hue, and brush stroke. Much like these paintings, De Azevedo breaks up large areas of colors by staggering lighters and placing opaque and translucent ones next to each other.
De Azevedo is interested in the impact of a simple image. It’s why he is inspired by painters who work with large color fields. To him, these pieces have cross-cultural appeal. We all have a relationship to color, albeit all a different one. De Azevedo further enhances these paintings by adding objects. The lighters, paired with color, can be rich with meaning. In this way, he is creating an image that is more complex just beyond recreating Rothko’s works.
These images are just one part in De Azevedo’s series titled Walking My Dog. As the artist would go on long walks with his pet, he noticed all of the debris present along the ocean shore. He began collecting all of the scraps, which included more than 600 lighters, 1000 bottle caps, 200 fisherman gloves, and 2000 plastic bottles. De Azevedo has recycled this discard into appealing and colorful works of art. But, the staggering amount of material he has to work with is a good reminder of how much waste we actually produce, and our responsibility to take better care of the environment. (Via Feature Shoot)