I am transfixed to Jason Matthew Vivona’s dense, psychedelic portfolio of work. There is just so much going on! At first glance I thought I saw a parade of body organs, but upon closer inspection, I noticed beautiful works of intricate detailing, patterns, colors, etc. It’s kind of difficult to imagine this is all from tea, wine, coffee, or whatever Jason was drinking at the time. I wonder what he is drinking right now…
I love patterns, and I definitely get my fill through Daniel Brereton’s work. We are featuring yet another renaissance man who not only exhibits his lively work in galleries, but also works in music videos, apparel design, and etc.
Looking through Brooklyn-based artist Steven Ketchum’s illustrations is like watching half of a television show interrupted by an unfocused screen. The figures in his drawings seem confused….either by themselves or each other.
Maggots, Baphomet, long-taloned claws breaking through evil faces, crazy scythe wielding demons, candelabras welded from the remains of human skulls, rot, decay and Mayhem (the general sense of disorder, and the band) all seem to pump their fists and raise their axes in artist Mark Riddick’s world. I would not be surprised if this dude drank the blood of a goat and burned a church or two. Okay, maybe not….but his drawings make me want to shred and paint my face…on his website he says he’s been illustrating for the black/death metal world since ’91. Stay death metal forever.
Currently Brooklyn based, Ryan Peltier is a talented illustrator who is currently earning his Masters at the School of Visual Arts. He has been featured in publications such as 3×3, American Illustration, and has won awards from the Society of Illustration Los Angeles. His work has been exhibited at BRIC in Brooklyn, and the Tinlark and Billy Shire Fine Arts in Los Angeles.
Ryan’s process depends heavily on the kind of surface he is working on. He makes it a point to begin with beautiful materials that hold character. The outcome is a collection of illustrations with a whole lot of awkward humor, and delightful surrealism.
Lauren Utter, a New Jersey native, documents her punk rock inspired, pan-handling, train-hopping adventure filled life through her aggressive yet delicately drafted drawings. Lauren briefly attended the School of Visual Arts, but decided that her experiences outside of the institution’s walls were what truly inspired her.
Every little mark on the surface is stark, rigid, and untamed. Lauren isn’t interested in dressing up her subject for the purpose of comfort or aesthetic. She wants to bring to the audience her encounters exactly as how she found it. Yet upon closer inspection, you are guided to notice the underlying beauty, and appreciate the aggressive approach of Lauren’s work. This is where the irony in her work is present. It is the moment, confrontation, and/ or eye contact captured. The kind of transient situation most of us rarely have the time or guts to pay closer attention to.