I am really enjoying Los Angeles-based artist Adam Tullie’s recent portfolio of drawings. He uses painstakingly intricate mark-making to create simple shapes, hinting at tribal masks. Adam Tullie recently featured his work in San Francisco, I may just have a friend of mine over there pick up a few of his show’s postcards for my wall.
Dealing with the ups and downs of an independent business can at times be a drag, but getting packages like this in the mail makes all the work worthwhile. I first met Justin B. Nelson when he entered our contest with Colt45. Justin was one of the top ten finalists and his work was entered in our show at Synchronicity Gallery. I loved Justin’s work in the show but was blown away when I met him at the opening. At first I thought Justin had drove an hour or two, but he flew in all the way from Tampa, FL just to check out the show! If that’s not dedication I don’t know what is. Since then, Justin’s been part of the Cult of Decay. We’ve only met each other once but we probably email or send each other tweets at least once a week. It’s amazing to be able to connect with creative people without the restrictions of distance. (The internet kicks ass!)
Anyways back to the package… Yesterday our mailman brought us an envelope all the way from Tampa. it included not only a print of one of my favorite pieces in the Colt45 show but also a note from Justin. It might not seem like much but it’s a great feeling to get feedback like this. We get caught up in all the chaos of running the show and sometimes forget that YOU are out there reading our books, wearing our shirts, and spreading the good word of decay! I’m glad that you guys are out there. Without your there would be no Beautiful/Decay.
P.S. You can check out a larger image of Justin’s print after the jump along with his note. You can also get a copy of his sick print here.
There is something wrong in Jason Murphy’s portraits. He illustrates people who appear to have a few screws loose. Their often asymmetrical faces dawn either a look of certain absence or of urgent excitement. This is all contrasted of course by his beautiful, delicate mark-making that which feels so light, and feathery.
Ted Vasin illustrates an intensely surreal world for his viewers to get lost into. Combining his tight representational drawing skills with colorful abstract forms, Ted succeeds in both keeping us in awe of his draftsmanship, and a little disturbed through subject matter.
Ivonne Dippmann’s unflattering, raw, and distorted drawings of hefty men in disguises is not what one would describe as “gorgeous.” But it is, maybe not right off the bat, but the obvious attention to the design and detail of shape, texture, and mark-making pulls these into one heck of a killer style of drawing.
Jon Fox, artist from the South coast (near Bournemouth,) usually works with the issues of emotion, where the mind is often at war with the heart. He creates a world of conflict, tension, and drama that his characters must confront.
I have always enjoyed Kansas-based Chinese artist Hong Chun Zhang’s work, as I am also obsessed with hair. But her recent series of non-representational portraiture between Hong Chun Zhang and her twin sister is what I believe to be her best work so far. Charcoal drawings on long paper scrolls to accentuate the length and feel of their most noticeable characteristic.