Sculptor Andy Yoder spent nearly two years on his piece, Early One Morning, painstakingly applying thousands of painted matches to create a globe with the implied potential to catch fire. The matches, which were individually hand-painted, recreate the continents and oceans, but also swirling weather patterns (of note, Hurricane Sandy is seen off the west coast of North America).
The wooden matches are connected to a food and cardboard base, held together by a plywood skeleton (as a precaution, Yoder covered the piece a flame retardant chemical). Yoder’s piece can be seen Winkleman Gallery at this year’s PULSE New York Contemporary Art Fair, May 8–11. (via from89 and junk-culture)
Our planet is a truly magical work of art; complex, multifaceted and textural. Perhaps this is why Andy Warhol, a name that is unlikely to be associated with this topic, once said, “Land really is the best art.” Viewed in this simplistic yet profound light, land, or Earth, serves almost as found object in the implementation of Earthworks. In other instances land becomes the canvas, or the sculptural negative space for installation, or even a foundation and medium to explore sociocultural patterns.
Lita Albuquerque has used the earth and its materials for decades to create ephemeral and spiritually infused work. Her incorporation of performance, photography and installation creates multiple dimensions and lenses to experience our world, our relationship to earth and the stars, as well as their rhythms and cycles. The images featured here of her project Stellar Axis document an artistic expedition into Antarctica, which was the first and largest ephemeral work created on the continent. The installation of ninety-nine spheres across the icy landscape mimics the pattern of the ninety-nine Antarctic stars above- visually linking Earth to the cosmos.