In December, New Zealand’s Antarctic Heritage Trust released their discovery and restoration of photographic cellulose nitrate negatives that were clumped together in a box and found in expedition photographer Herbert Ponting’s darkroom in Captain Scott’s last expedition at Cape Evans. As part of the Ross Sea Heritage Restoration Project, the trust recovered 22 images from Ernest Shackleton’s 1914-1917 Ross Sea Party, including a striking image of Alexander Stevens, Shackleton’s Chief Scientist, standing aboard the Aurora, the expedition’s ship. Though many of the photographs are damaged and the identity of the photographer is unknown, landmarks around McMurdo Sound were recognizable to the Antarctic Heritage Trust.
So far, more than 10,000 objects have been conserved at Captain Scott’s Cape Evans hut. Four years ago, the same conservation group discovered 3 crates of whiskey and 2 crates of brandy under Shackleton’s 1908 base. (via npr)
Catherine Nelson’s newest series Expedition is comprised of hundreds of photographs, collaged and digitally “painted” together to make five imaginary landscapes. Using her experiences in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, Nelson assembles the countless photographs into one seamless, vibrant, and surreal image. This style of working isn’t new for the artist, and we’ve previously featured her incredible floating worlds before.
In a short statement, she describes what her motivation was for her style, writing:
When I embraced the medium of photography, I felt that taking a picture that represented only what was within the frame of the lens wasn’t expressing my personal and inner experience of the world around me. With the eye and training of a painter and with years of experience behind me in film visual effects, I began to take my photos to another level.
When you see the images up close, you appreciate at her photo manipulating skills even more. They are flawlessly put together and not to mention rich with great details. She features luscious greens of all kinds, plants, animals, and even humans, making references to mythologies like the story of Narcissus. All elements were inspired by Nelson’s memories of growing up along the east coast of Australia. (Via Colossal)