Palestinian Artists Transform Photographs Of Rocket Explosions Into Powerful Human Images

Image credit: Belal Khaled

Image credit: Belal Khaled

Image credit: Tawfik Gebreel

Image credit: Tawfik Gebreel

Image credit: Bushra Shanan

Image credit: Bushra Shanan

Images and news of the Israel-Palestine conflict have been circulating media for a few weeks now. The photographs that emerge out of this war are tragic and graphic. A handful of Palestinian artists have been transforming images of smoke and fire from the attacks on Gaza into portraits that reveal the very real and human cost of these rocket explosions. By inscribing faces and bodies onto images of destruction, these artists are reminding people from all sides that war takes its toll on an individual, human level, a fact that is often erased when the media creates its narratives. These simple, yet powerful, illustrations give these Palestinian artists a voice that they might otherwise not be given, a voice that tells a different story than the ones represented in the original photographs. (via demilked)

Featured artists: Tawfik Gebreel, Bushra Shanan, Belal Khaled

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Marcel Christ’s energetic photographs feature colorful powder explosions

MarcelChrist Powder7 MarcelChrist Powder6 Marcel Christ Powder5

Marcel Christ creates a series of photographs in which he tries to deviate from his usual commercial photographs. With clients like Sony, Nokia, Samsung, Evian and L’Oréal-Chirst is used to photographing still lives, essentially objects arranged in interesting and appealing but static ways. In his latest artistic series, Christ extends his modern, clean lighting and sense of composition (characteristics that resonate with his commercial photography), but takes it to the next level. Christ aims to transform what would be a static representations of colorful powders to something that is undeniably energetic- everything moves, jumps, and flies.

Christ succeeds at photographing unpredictable action. The powder’s movement and expansion are the main characters; they sporadically spread throughout the composition.

I think my work has some heritage from Dutch tradition, in its choice of props for instance – the vase. But different in its own way at the same time. Because it is not ‘still’ at all. It’s frozen in time, but very energetic in its appearance.

(via TreadHunter)

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