Fabrice Fouillet Photographs Huge Monuments In the Context Of Their Surroundings

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Dai Kannon – Sendai, Japan

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Jibo Kannon: Kagaonsen, Japan

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Ataturk Mask: Buca, Izmir, Turkey

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Grand Byakue: Takazaki, Japan

When you see a photograph of a monument, often it’s just of the sculpture itself and not within the context of the larger landscape. It gives the appearance that these colossal constructions live within their own world. Photographer Fabrice Fouillet shatters this illusion in his series titled Colosses, in which he zooms out and provides us with what’s surrounding these massive creations. Many times, they make the monument appear less special and more ordinary.

Fouilllet explains his thinking behind the photographs:

The series “Colosses” is a study of the landscape embracing those monumental commemorative statues. Although hugeness is appealing, exhilarating or even fascinating, I was first intrigued by the human need to build gigantic declarations. Then I asked myself how such works could be connected to their surroundings. How can they fit in the landscape, despite their excessive dimensions and their fundamental symbolic and traditional functions?

That is why I chose to photograph the statute from a standpoint outside their formal surroundings (touristic or religious) and to favor a more detached view, watching them from the sidelines. This detachment enabled me to offer a wider view of the landscape and to place the monuments in a more contemporary dimension.

The statues that are surrounded by nature fit more comfortably in their environment. It feels less chaotic and a more peaceful place, in line with the intention of many religious practices. But, even when they are among shopping centers, you can’t ignore the stunning presence that these monuments have. (Via Flavorwire)

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