This unusual carnival certainly isn’t the kind you find at a kid’s party. For “Funland: Pleasures & Perils of the Erotic Fairground,” artistic duo Bompas & Parr show off a series of bold and whimsical installations at New York City’s Museum of Sex. Immersive artworks include “Jump for Joy,” a giant bouncy house composed of blow-up breasts and “Grope Mountain,” a rock wall featuring phalluses and vulvas. As visitors munch on tasty treats, they are invited into “The Tunnel of Love,” a maze that ultimately ends at the G-Spot, an erogenous zone in the vaginal canal discovered by Ernst Gräfenberg.
While this all may seem like fun and games, the exhibition also illustrates earnest cultural ideas. Here, the artists worked closely with Professor Vanessa Toulmin, the Director if the UK National Fairground Archive, to illustrate the historical associations between traveling fairgrounds and sexuality. Toulmin proposes that at the apex of the industrial revolution of the mid-19th century, carnivals began to emerge as sites for “immoral” behavior.
The St. Bartholomew fair, she notes, was singled out for its sensuous—and overtly erotic— atmosphere. In this uncanny universe of play and mischief, the puritan ideals of the upper classes were tossed to the wayside. The fast-paced amusement rides were quite the novelty at that time, and dark tunnels and cars allowed for discreet caresses to pass between lovers. Some fairgrounds even charged admittance for burlesque and strip-tease shows. Bompas & Parr’s “Funland” certainly captures both the thrilling and the farcical aspects of the carnival scene. Simultaneously amusing and disturbing, the exhibit engages both the mind and the body. The show is currently on view and will run through Spring 2015. (via Design Boom) Read More