In an unusual attempt to explore their own digestive tracts, student artists Luke Evans and Joshua Lake swallowed single frames of 35mm film, folding each piece in a brightly colored capsule that allowed for the acids and bodily fluids to process the film with minimal risk of colon damage. Once excreted, the negatives were recovered, cleaned, and studied in detail by an electron microscope; ultimately, they were printed into giant black and white works.
The project, titled “I turn myself inside out” is an almost uncomfortably intimate and human exploration of the photographic medium. Normally, images are produced and processed by machinery, light, and chemicals, but this provocative series substitutes the artists’ own bodies and their fluids for the impersonal metal gears and glass lens of a camera.
The images themselves are so strong because of their unexpected three-dimensionality; while most film photographs flatten space, condensing foregrounds and background to create a compelling work of art, Evans and Lake’s work does the opposite. Each frame looks like a scientific image taken from a microscope. The digestive process and the resultant breakdown of the film’s emulsion afford each image its dimensionality, transcending the medium’s traditional reliance on light and shadow to convey space.
The most miraculous aspect of the work lies perhaps in the tension that arises between the intimate and vulnerable bodily process and the somewhat impersonal aesthetic of the resultant images. Once printed, the images become abstract explorations of tone and space, their apparently inhuman, unemotional form subverted only by the knowledge of their painfully visceral creation. What do you think: gross or cool? (via Wired and Oddity Central)