HOT TEA’s 84 Miles of String Suspended at the MIA Representing the Sun

Eric Rieger, alias name (HOT TEA) completed this larger than life installation at the Minneapolis Institute of Arts very recently. It is so large in fact that it spans over two floors, and you can actually lie underneath the hanging mass. The installation is titled Letting Go, and the piece is compiled of orange and yellow colored string 84 miles in length meaning to represent the artist’s interpretation of the sun. As a former MCAD student, being right next to the MIA, I so wish I could teleport back to my art school days to see this in person.

Below is an statement directly from Mr. Rieger:

At least once in our lives we have all had to let go of something we truly love. Whether it be a pet, personal object or in some cases, loved ones. This piece is my interpretation of the sun. The sun brings life and also represents happiness, warmth and energy. When letting go of something or someone we truly love, sometimes it is okay to celebrate their lives along with mourning. This piece represents the warmth and love I have received from those I have had to let go of.

Letting Go will be on view through Septmeber 2 at MIA. (via)

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From beetle wings to ballpoint pens, the art of Jan Fabre

Jan Fabre is an established artist with a long rap sheet — having shown and made installations everywhere from The Royal Palace in Brussels to The Louvre Museum in Paris. It’s impossible to pigeonhole him down into one medium, since he’s worked with materials as diverse as bic ballpoint pens and beetle wings. Not to mention, he’s also an author and theater director on top of everything else. If you happen to be lucky enough to be in the city of Antwerp from now until September 2012, you can view his sculpture installation entitled PIETAS at Park Spoor Noord. But if you go, don’t forget to send us pictures! (via)

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Charlotte Mann’s Expansivly Detailed Marker Murals

British artist Charlotte Mann is known for her elaborate wall drawings and drawn room installations. These densely detailed 1:1 scale drawings of rooms in rooms are invariably made with thick black marker pen on a white ground. The medium may be simple but Mann’s obsessive attention to detail pushes her work into a new realm creating dizzying installations that make you take a second look at your surroundings.(via)

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ARTIST INTERVIEW: JUSTIN JOHN GREENE

Red Room - acrylic and oil on canvas, 36" x 60" 2009

Los Angeles has always held a special place in the hearts and minds of Americans, but for most it exists in an almost fictional capacity.  Hollywood isn’t a real place – it’s a postcard, a huge sign on the side of a mountain bracketed with strategically placed palm tree silhouettes.  Certainly not a place to call home, but for artist Justin John Greene that’s exactly what it is.  Hollywood is a part of his heritage, and the work reflects that.  Born and raised in the Los Angeles area, Greene’s work is strongly imbued with the history of the most romanticized industry in American culture.  In his most recent solo show at Actual Size (an exhibition space he co-runs in the Chinatown gallery district of east L.A.) the influence of the film industry is in full focus.  You Oughta Be In Pictures is a comprehensive installation that utilizes painting, sculpture, and video to create a truly immersive experience for the viewer.  Installation may seem like a bit of a leap from Greene’s primarily two dimensional practice, but a closer look into the artist’s process bridges the gap seamlessly.  His work is a distinctly enjoyable blend of sly historical references, direct compositional tactics, and cleverly applied humor.  If you have the opportunity to see the work in person I strongly encourage you to do so.

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FASTWURMS


FASTWÜRMS is a Canadian artist collective started in 1979 by Kim Kozzi and Dai Skuse, who are associate professors of studio art at the University of Guelph in Ontario. Their artwork seemingly encompass all disciplines – installation, video, manifesto, performance, drawing, etc – and concerns witch positivity, working class aesthetics, queer politics, and public collaborations. Many of the images after the jump are taken from the FASTWÜRMS: DONKEY@NINJA@WITCH catalogue that accompanied a 2007 retrospective at the Art Gallery of York University.

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Kate Tucker’s Colorblock Paintings

Artist Kate Tucker’s work has amazing colorblock layering in her pattern pieces, as well as her more representational works. She has intricate drawings and bold paintings that together are seriously impressive. Her series “Counterfeit Sanctity’ has tons of versions of the same drawing in different color, pattern, and media that are mesmerizing when seen together.

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Breanne Trammell is Larger Than Life

Breanne Trammell’s work is categorized by oversized every day objects created in monumental proportions. Her work is playful, inspiring, and just plain intriguing. Her candy cigarette installation is genius with giant cigarettes decorated like rainbow sprinkles, Reese’s cups, Sweettarts, Swedish fish and Junior Mints. In addition to her larger than life sculptures, she also incorporates patterns, prints, and 2D expertise into her body of work. 

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Tonalis Luminous – Salvador Orara

Tonalis Luminous (also known as tink-tinks) is a new breed of tonal flowers discovered by sound artist, Salvador Orara. Sensitive to light, each flower has it’s own sonic personality and mood which requires careful attention. Check out a video of the Tonalis Luminous in action after the jump.

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