Jan Fabre is an established artist with a long rap sheet — having shown and made installations everywhere from The Royal Palace in Brussels to The Louvre Museum in Paris. It’s impossible to pigeonhole him down into one medium, since he’s worked with materials as diverse as bic ballpoint pens and beetle wings. Not to mention, he’s also an author and theater director on top of everything else. If you happen to be lucky enough to be in the city of Antwerp from now until September 2012, you can view his sculpture installation entitled PIETAS at Park Spoor Noord. But if you go, don’t forget to send us pictures! (via)
British artist Charlotte Mann is known for her elaborate wall drawings and drawn room installations. These densely detailed 1:1 scale drawings of rooms in rooms are invariably made with thick black marker pen on a white ground. The medium may be simple but Mann’s obsessive attention to detail pushes her work into a new realm creating dizzying installations that make you take a second look at your surroundings.(via)
Los Angeles has always held a special place in the hearts and minds of Americans, but for most it exists in an almost fictional capacity. Hollywood isn’t a real place – it’s a postcard, a huge sign on the side of a mountain bracketed with strategically placed palm tree silhouettes. Certainly not a place to call home, but for artist Justin John Greene that’s exactly what it is. Hollywood is a part of his heritage, and the work reflects that. Born and raised in the Los Angeles area, Greene’s work is strongly imbued with the history of the most romanticized industry in American culture. In his most recent solo show at Actual Size (an exhibition space he co-runs in the Chinatown gallery district of east L.A.) the influence of the film industry is in full focus. You Oughta Be In Pictures is a comprehensive installation that utilizes painting, sculpture, and video to create a truly immersive experience for the viewer. Installation may seem like a bit of a leap from Greene’s primarily two dimensional practice, but a closer look into the artist’s process bridges the gap seamlessly. His work is a distinctly enjoyable blend of sly historical references, direct compositional tactics, and cleverly applied humor. If you have the opportunity to see the work in person I strongly encourage you to do so.
FASTWÜRMS is a Canadian artist collective started in 1979 by Kim Kozzi and Dai Skuse, who are associate professors of studio art at the University of Guelph in Ontario. Their artwork seemingly encompass all disciplines – installation, video, manifesto, performance, drawing, etc – and concerns witch positivity, working class aesthetics, queer politics, and public collaborations. Many of the images after the jump are taken from the FASTWÜRMS: DONKEY@NINJA@WITCHcatalogue that accompanied a 2007 retrospective at the Art Gallery of York University.
Artist Kate Tucker’s work has amazing colorblock layering in her pattern pieces, as well as her more representational works. She has intricate drawings and bold paintings that together are seriously impressive. Her series “Counterfeit Sanctity’ has tons of versions of the same drawing in different color, pattern, and media that are mesmerizing when seen together.
Breanne Trammell’s work is categorized by oversized every day objects created in monumental proportions. Her work is playful, inspiring, and just plain intriguing. Her candy cigarette installation is genius with giant cigarettes decorated like rainbow sprinkles, Reese’s cups, Sweettarts, Swedish fish and Junior Mints. In addition to her larger than life sculptures, she also incorporates patterns, prints, and 2D expertise into her body of work.
Tonalis Luminous (also known as tink-tinks) is a new breed of tonal flowers discovered by sound artist, Salvador Orara. Sensitive to light, each flower has it’s own sonic personality and mood which requires careful attention. Check out a video of the Tonalis Luminous in action after the jump.
Benjamin Oliver, a recent graduate of the Royal College of Art’s Design Interactions program explores the space between our everyday experiences, inventing prototypes that can give participants a way to experience all new senses. I love the approach Benjamin took in framing his experiments – By creating photographs with such rich narrative, the artist leaves behind a series of bizzarre rooms in which these sensory objects supposedly underwent a round of testing.