The painter Kira Ayn Varszegi substitutes her own 38DD breasts for traditional brushes, covering them in paint and pressing them to her canvas. For Varszegi, fun is an essential element in art making; she hopes to inspire amusement and smiles. Though her work has of course been criticized and cast aside as “frivolous,” the artist has made a name for herself, boasting at least one painting purchased in each American state.
Before we give in the the impulse to judge, let us take a minute to appreciate the product of Varszegi’s efforts. Her paintings quite resemble the work of abstract expressionists like Jackson Pollack or Mark Rothko; she, like them, hopes to inspire more primal and visceral emotions with her marbled surface of color, texture, and form.
But unlike most (but not all) of the 1950s trailblazers, Varszegi is a woman, and that fact is essential to her art making process. Where many modern art movements have been dominated by an idealized machismo, the boob artist embraces what some might call the feminine or the sentimental. Here, the breasts, symbols both of female sexuality and fertility, are the means of creation, as opposed to the paintbrush, an instrument whose form is vaguely evocative of the phallus.
The artist’s compositions mirror the “feminine” tenor of her process, their soft, glittery tones forming elusive and symbolic butterfly and floral shapes. Paint drippings and splotches swirl together in an evocative, orgiastic blur. Take a look, and let us know what you think of the project. It is groundbreaking or silly? (via Oddity Central)