“My most recent sculptural installations are constructed with discarded electronic materials: computer, telephone and electric cables, thousands of burnt-out bulbs, meters of videotape, old slot machines, celluloid, DVDs, etc. The installations explore the short life expectancy of the technologies we cast off and their relationship to organic mortality.
These installations also seek to reanimate the lifeless. Light animations projected onto the installations appear to free the energy stored in the electronic waste, awakening in it memories of its past.
Through my work I try to bring dead materials back to life, reveal their secrets, revive the collective memory they contain to construct an accurate portrait of a society and an age.” – Daniel Canogar.
Bernard Roig’s light sculptures capture a particular strain of ennui. While the idea of light tends to evoke a positive or uplifting feeling, Roig recontextualizes this element as a burden to his sculptures’ human subjects. Sometimes light crushes or imprisons this man, or seems to be a goal that will never be reached. The man is usually sculpted in white, brightening the effect of his subjects’ dissolution. Roig’s work addresses the boundary between the connect/disconnect of our culture’s relationship to light. “Today we are living in an atmosphere saturated with images, but the experience that they produce has a low intensity. Now it is ever more difficult to give meaning to an image. We are subjected to light, a light that dissolves the outlines of things, a white light within which everything fluctuates.”
Submergence is the newest project from the artist collective known as Squidsoup. Chains of multicolored LED lights – 8,064 lights to be exact – are carefully hung for the installation. A colorful and immersive environment, Submergence is intended to be experienced from within the installation. The piece performs complex programmed patterns and is responsive to movement. In fact the piece runs through a four parts to create a twenty minute movement-responsive piece. Check out these four parts in the video after the jump.
New York artist James Clar lived in the globalized city of Dubai from 2007-2012 where he was immersed in the arts and culture scene. Fueled by an interest in visual media communication, this experience and the larger themes of globalism, nationalism, and pop culture are apparent in his work. Clar’s light-based installations address the boundaries of technology and the way that it creates and limits new communications within our culture. Some of his work uses light more directly than others, but they all respond to the relationship of light with its surroundings. Clar’s line or geometric-based designs reflect the connections and networks that abound in our culture. His manipulation of this technology expresses the softness of light and the hardness of the forms that contain it.
The audiovisual installation titled Isotope v.2 was created Nonotak – an art duo made up of Noemi Schipfer and Takami Nakamoto. Light projections are projected on and through a box approximately thirteen feet on each side. Accompanied by sound the projection begins rather subdued. Low drones match lights moving and changing slowly. Soon, however, the light and sound seems to quicken its pace, become glitchy, even aggressive. Watch the video after the jump to see the Isotope v.2 in action. The installation is a reference and response to Fukushima and its now infamous power plant. Following the tragic 2011 earthquake control over the Fukushima power plant quickly deteriorated. Using this as a metaphor for the human relationship with nuclear energy, the installation creates a type of immaterial prison. Walls of light surround the visitors becoming ever more imposing as the projection progresses.
This installation by artist Soo Sunny Park is appropriately titled Unwoven Light. Several sections of chain link fence have been connected and draped throughout the gallery. The wave-like sections of fence are filled with small pieces of Plexiglas. Light from the galleries many lamps and the sun at various angles fall through the glass projecting a multicolored pattern more impressive than the installation itself. Park uses the light as a medium, unfurling from the fence and fully splayed on every gallery surface. [via]
Whether or not Yochai Matos is creating an installation to view inside or outside a studio space, he pays careful attention to the way light creates an atmosphere. For his indoor installations, existing studio light can make his work appear more ethereal, something to which “You Are a Saint” affirms. His work sometimes directly addresses the absence/presence of light, as in his outdoor installations “Landscape” and “Flame (Gate).” Because the perception of his work changes with the amount of light available for any installation, the experience of his work is as fluid as the experience of natural or artificial light in any given environment.
Artist James Nizam calls photographs documents of ‘light sculptures’. For the series he captures the sun and manipulates it into various ‘structures’. Using precise cuts into the exterior of the house, small mirrors mounted on ball joints, and studying the movement of the summer sun Nazam was able to capture these images. A synthetic fog emphasizes the concentrated beams of light, making them almost palpable like floating fluorescent light bulbs. See photos of Nizam preparing the house after the jump.