In the past, artist Mark Khaisman has used his signature style of translucent packing tape, acrylic paint/film panels and lightboxes to create an extension of drawing which focused on decorative objects (such as rugs, chairs and fabric patterns), luxury items (handbags) and portraiture (previously here). For his most recent series, Stills, the Ukranian-born, Philadephia-based Khaisman channels Hollywood’s Classic Era and Film Noir into layers of tape, hand-rolled and variously removed so the light shining through each image creates lines, texture and shading.
Although Khaisman freely sources images from a shared historical film lexicon, his work also takes on a thoroughly modern, almost pixelated feel and reference, particularly in his more colorful works. Says the artist of his signature process,
“The tape is the message. A parody on Marshall McLuhan’s famous quote could explain the superficial motives, which make up the work. Subjects are categorized into different groups: fragmented stills from classic cinema, iconic objects from art history, portraits. The works are exploring the familiar as our shared visual history; made of a familiar material formed into a familiar image, asking the viewer to recognize and complete the work, stimulating both memory and interpretation in the process.”