London-based street artist D*Face dropped into Hollywood, Los Angeles to pay his regards: “face lifts, fools gold and plastic surgery arghhhh thats [his] sort of city.” The 6 feet or so tall statue sits proud atop one of Runyon’s highest peaks, watching over the land as a lone protector of the things mentioned above. If you’re in need of a jog or a hike, go check it out. Not sure if it’s still there though but it’s worth a try!
Los Angeles-based animator Miwa Matreyek completed the above film, entitled “Dreaming of Lucid Living,” as her thesis in the CalArts Experimental Animation program. I am completely blown away by it. I’m not entirely sure how it was made, but it seems to combine live performance with both pre-made animations as well as semi-autonomous, rule based animations that update based on what a camera is seeing. The result is unlike anything I’ve seen before, completely living up to the “experimental” aspect of the program.
Yesterday Los Angeles tagger Buket, aka 26-year old SJSU grad Cyrus Yazdani, was sentenced to nearly four years in prison after pleading guilty to one count of felony vandalism while on probation for 32 prior vandalism charges. Buket is apparently known for daredevil stunts, some of which have popped up in brazen, bravado-filled YouTube clips. One of these clips, which depicts Buket climbing onto a Hollywood Freeway overpass and tagging it in the middle of the day, is embedded in this post after the jump. While this particular stunt is clearly very dangerous to not only Buket but the drivers who were distracted by him, do the severity of his crimes justify the four year sentence?
0s & 1s is the directing debut of LA-based filmmaker Eugene Kotlyarenko. The film, currently set for release in fall of 2009, is about a guy named James Pongo who loses his computer and finds that his “hyper-connected reality takes a nosedive.” 0s and 1s utilizes a unique visual system in which the viewer watches the movie through a barrage various computer-like windows, bringing a decontextualized computer environment to the silver screen and eschewing traditional expectations of cinema language.
Los Angeles-based pop illustrator Lou Beach has been creating these bright, comical collages since the 70s and 80s. While collage work doesn’t normally do it for me, I like this stuff. He’s also done a ton of commercial work over the years, including album covers like Blink 182’s opus, Dude Ranch.
Man (possibly someone in character) traveling northwest at 60 mph on U.S. Route 101 in the vicinity of Hollywood on a late Sunday afternoon in March 1991
As you may recall from reading the blog over the past week, Saturday was the Funk Rumble block party in Downtown LA (Chinatown, to be precise) at which Beautiful/Decay was a vendor. Now this information is pretty much incidental, except to say that I live a fair distance from Chinatown, so the drive back from Funk Rumble was a lengthy one, especially due to the amount of traffic at the time we were traveling. Happily though, I wasn’t driving as I usually am (thank you, fellow intern Corinna), so I got to engage in my favorite freeway traffic activity – looking at all the other people sitting in traffic next to me.
The allure of this mode of observation isn’t lost on St. Louis-born photographer Andrew Bush. In his series 66 Drives, Bush captured candid portraits of drivers, mostly around LA. One thing I find particularly interesting about these photographs is that you can begin to see resemblances between cars and their drivers, not unlike the fabled idea of dogs resembling their owners. You can see how much the car is an extension of a driver’s personality.