Glass artist Mike Gong crafts incredibly detailed, psychedelic marbles ranging from 13 to 63 mm in diameter. Each marble is uniquely designed with remarkable attention to detail. Gong creates small galaxies of color and depth, bringing a sharp eye and highly attuned craftsmanship to the medium of glass. Some of his designs even have silly faces, and even the ones that don’t all reflect Gong’s trippy aesthetic (some of his designs are named Acid Eaters). While you can get an idea of the intricacies of Gong’s marbles with a two dimensional photograph, his designs really come to life when they are allowed to spin and turn at the touch of a human hand. Not Just Marbles has a selection of Gong’s marbles available for purchase, ranging from $275 to 1,100. Brian Bowden at Pbase also has a substantial image archive of Gong’s marbles, some available for purchase. (via my modern met)
The photographer Ingrid Berthon Moine is taken with testicles, both figuratively and physiologically; turning to the anatomically accurate statues of Classical Greece for her project Marbles, she focuses her lens on representations of the male sex organ. Isolated from the rest of the statues, the male sex organs take on new meanings, their textured curves wrought in stone with masterly precision.
The careful renderings of the genitalia reveal tender folds of skin; set against the aged and worn marble, the apparent softness is complicated by durability. Testicles, as a cultural symbol, retain these nuances; they are simultaneously representative of sexual vigor and unfaltering power, but they are also framed as a physical weakness, an immensely vulnerable organ. As Berthon Moine explains, the word itself gave rise to aggressive, powerful words like “detest, protest, or contest or […] testify.” But the artist was also inspired by the theory of the neuroscientist John Coates, who posited that the testosterone hormone played a role in the financial recession; these marble testicles hope to express both the powers and dangers that we assign to them.
In a world where artworks depicting naked women outnumber works by women artists in our most renowned art museums, Berthon Moine’s work serves to turn the male gaze in on itself. She explains that until recently, only women were made to feel aware of being watched, judged by their sexual allure. She sees this dynamic shifting to expose both genders to the gaze of others, and this series, uncomfortable to some and amusing to others, is a part of that transition. (via Hyperallergic)