Mark Manders‘ sculptures seem to be driven by a poetic narrative, and the fact the he used to practice the linguistic form of poetry should then come as no surprise. His meticulously constructed figures are assemblages of furniture, metal, human and animal shapes, and other ephemera. Engaged in an ongoing project since 1986 entitled “Self-Portrait as a Building” that has come to define his practice, the form of language mediates his work in that his pieces are structured in a manner that replicates sentences. In this way, he creates physical spaces that mirror his mental spaces. At once fragmented, balanced, poignant, and resonant with the ineffable, Manders’ work evokes a personal poetic sentiment that is meant to provoke the viewer.