Artist Gary Hovey constructs shiny animal sculptures by welding stainless steel utensils. Hovey uses the initial shape of the particular piece of cutlery – the curves of spoons, the spikeyness of forks, or the flatness of knives – to inform the overall form of the animal he is crafting. Each piece is unique – no molds are used to help shape his work. The most astounding part of Hovey’s work is that the artist has struggled with the effects of Parkinson’s disease since he was diagnosed in 1994. Since 2004, he has been welding flatware, and he finds producing and showing this work to be therapeutic. “I work when I’m able to move. Family and friends carry sculptures for me. But I still get to make them,” says Hovey. “I don’t think the quality has suffered, but it does take longer to make them. It helps financially support my family and it is therapy for me. It has allowed me to meet many wonderful people.” (via my modern met)
The installations of London-based artist Zadok Ben-David‘s miniscule metal flowers are detailed, dense and mesmerizing. His travelling series of the work (called Blackfield) appeared in London, Portugal, Sydney, Singapore, Berlin, Linz, Untergroningen, Seoul, San Francisco and Los Angeles. Derived from illustrations appearing in 19th century Victorian encyclopedias, each iteration contains nearly 20,000 delicate 3-D floral etchings.
Each individual flower is crafted from metal and each side is hand-painted with either a stunning meltdown of color—or a heavy coat of black. Hovering between breathtaking and completely disturbing, the flat, sketch-like sculptures seem ominous as they stand in perfect rows, tucked into a massive bed of white sand.