Kristin Bauer And Emmett Potter’s Appropriations Of Pop Culture

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A good collaborative gallery show is like a good relationship—each artist’s work supports the other without being repetitive or unharmonious. “The Give and Take,” an exhibition in The Joseph Gross Gallery at The University of Arizona School of Art by Kristin Bauer and Emmett Potter, works on both levels. The married couple often collaborates and has exhibited together on numerous occasions.

The artists both work in multimedia and they share a similar aesthetic and point of view. Bauer says,

“I often juxtapose two or more iconic references or material of my own creating, drawing from a wide range of sources that spans anything from Renaissance sculpture to Jayne Mansfield, Shakespeare to Spielberg films, the Great Gatsby to Cheap Trick. How we make meaning of things as cognitive creatures, what we attach to and what we are repelled by is what keeps me engaged.”

Similarly, Potter incorporates vintage comic book imagery into his work. He combines different color palettes and emphasizes what is absent against what is present, making pointed statements about pop-culture. Both Bauer and Potter adapt, appropriate, alter and excavate our shared public domain in an attempt to decode how we attach meaning to the iconography of our culture.

On exhibit since May 28, a closing reception for “The Give and Take” will be held on August 29 from 5:30-7 p.m.

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Todd Baxter’s Stylishly Retro Sci-Fi Utopias

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Multimedia artist Todd Baxter has created a retro futuristic image series inspired by narratives of science fiction utopia. Long fascinated with the technology and physics of the Space Race era, with “Project Astoria: Test 01,” Baxter tells a story that revolves around the experiences of children growing up in a an Earth-like world that has recently been colonized. Baxter’s wife, Aubrey Videtto, is writing the story that the two created together. They hope to collaborate with other artists for the project, including a graphic novelist and musician, to further execute their concepts and designs.  Of this project, Baxter writes, “With Project Astoria, I wanted to play with that childlike hopefulness — that anticipation of humans finally mastering our existence and our technology. Especially as we were reaching such new and magical realities as landing on the moon, the late 60s was the perfect period, in my mind, to add in this alternate history where we all get together and say, ‘Hey! We could go colonize this other Earth-like place and really do it right this time. It could be perfect. Utopia!’ Of course, it doesn’t go perfectly, which is good. Otherwise, it wouldn’t make for a very fun story.”

Baxter’s process is quite involved, but it starts with him pulling out sketches for ideas he’s had. He then browses the images on his computer for environment and landscape images he’s shot, and begins to weave together these environments with Photoshop. Baxter then plans the next elements based on these general compositions, producing photo shoots of his subjects that he continues to compose and retouch with Videtto until each image is fully realized. The result is a playful narrative with an almost kitschy aesthetic, evocative of the likes of Wes Anderson. (via behance and bleek magazine)

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Installation Takes Visitors On A Nocturnal Stroll Through An Enchanted Forest

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Latest installation by Montreal-based media and entertainment studio Moment Factory invites visitors to explore the illuminated paths of an enchanted forest in Québec, Canada. Foresta Lumina, a 2 km long trail, meanders through the Parc de la Gorge de Coaticook full of colorful light installations, visual projections and chilling sound effects.

According to the creative studio, Foresta Lumina strives to reveal park’s natural beauties and mysteries. Along the nocturnal stroll through the forest, visitors are acquainted with the region’s fictitious heritage and forest mythology: fairies, spirits and other bewitched mythical creatures. “It’s all about goosebumps,” says Gabriel Pontbriand of Moment Factory.

The multisensory experience is achieved through a set of skillful arrangements. Colorful lighting compositions turn the forest into a glistening canvas, whereas video mapping brings natural elements to life. Dynamic visual projections accompanied by ethereal soundtrack escort visitors into the mystical world of fantasy.

The project has already become a major tourist attraction with an average of 500 to 1,000 visitors every night. Foresta Lumina is open to public until October 11th. (via designboom)

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Discarded Old Books Turned Into Artworks Featuring Miniature Copper Paintings

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American artist Joseph Decamillis breaths second life to old discarded books by inserting miniature illuminated into their covers. Postage stamp-sized artworks are done on copper plates and placed in carved niches. Decamillis’ works turn two-dimensional book covers into exquisite spatial collages.

“As a painter of miniatures on copper, Joe found old books the perfect match to narrate and contain his exquisite illuminated images. <…> Carving niches into old books emphasized the storytelling nature of the work.”

Combining the inscribed meanings of a book with his whimsical paintings, Decamillis constructs new discourses between book cover’s inherent text, oil-painted imagery, carefully selected text additions and the viewer. To create his trademark miniatures, Decamillis uses brushes with no more than three hairs each. After finishing the piece, the book is sealed to never be opened again.

All books featured in the “Miniature Paintings In Altered Books” series are real, mostly found in libraries, bought at thrift store bargains or given by family and friends. In this project, Decamillis was able to unite his passion for books with self-taught skills of oil painting and collage. Artist claims to often research the books before altering to find potential monetary or historical value. (via Messy Nessy Chic)

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Collages By Kalen Hollomon Blend Ordinary Images With Provocative Cut Outs

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Visual artist Kalen Hollomon, recently titled the “cut out king of New York”, is blurring the lines between the social conformity and taboo with his mixed media artworks. His collages feature mundane city life moments, high fashion editorials and old advertisements blended with clippings from vintage pornography scenes.

“I am always concerned with what lies beneath the surface – with relativity, perception, sexuality and pop culture. My images are reality manipulation, manipulating other people’s identities. The idea of and ability to alter the value or meaning of an image or object by adding or subtracting elements is really exciting to me – adding or taking away elements from something until it becomes the sexiest it can be at that moment.”

Holomon is christened to be the child of the iPhone generation. Snapped with a smartphone camera, his creative collages started gaining exposure thanks to the social media platforms Instagram and Twitter. However, the same attention has forced the artist to censor some of his works. Hollomon says he “had accounts shut down and posts removed for as little as butt cheeks”.

Beyond the absurdity and wit, Hollomon’s work also represents the new trend of privacy-lacking public photography. His instant iPhone images from New York’s streets and subways rarely deal with any permissions for public use. That unawareness is exactly what turns such works into powerful socio-documentary messages. (via Dazed)

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Sexual Transgression Through The Eyes Of Neckface And Four Other Artists

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Often treading between reverence and ridicule, the mystifying allure of art that reiterates sexual transgression remains suspended within a deviating purgatory of the sacred and the obscene. Buoyantly drifting within the underbelly of normative culture, the erotic and transgressive create a synergetic relationship in a strike against societal conventions. Through a crude presentation of social perversions, the atmosphere created through sexually transgressive art permits an insight that challenges not only sexual precepts, but invites a critique of human behavior irrevocably influenced by social structures. In an explosive resurgence of suppressed sexual impulses, the following artists create frantic, tense and exquisitely obscene renderings of deviations and sexualized social distortions.

Featured artists include Tina Lugo, Aleksandra Waliszewska, Ventiko, Mia Makila and Neckface.

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Bech Scher’s Mixed Media Paintings Explore Women in the Military

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Beth Scher‘s “Female Soldiers” series depicts women in the military adorned with embroidery and other decorative elements. Scher’s mixed media paintings explore ideas concerning femininity and strength. Her images feature women in a variety of military contexts – Scher’s embellishments of her female figures recalls the idea of a “decorated” soldier while also referring to the art of craft and embroidery, concepts normally found within in a domestic setting. In images that include a bulls eye or target image, Scher conceals the women’s faces with black thread, evoking a sense of expendability that must inhabit a conflict-heavy environment. Scher explains, “In my paintings, I portray them as young women who intentionally seek to display their sexuality and vulnerability, yet are trained killers, in a position of power and placed in serious conflicts. I wonder what the consequences are in a society that must deal with this dichotomy.” (via lustik)

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Dominic Wilcox And Four Other Artists Upcycle and Illuminate Found Objects

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Through the metamorphic conversion of discarded paraphernalia given a second life, art created from materials otherwise destined for a landfill has turned waste into resource. In a conscious reflection of a recycled object’s inherent value as a cultural statement, the fragmented disarray of salvaged goods conjoin as a reflection on the surplus of consumerism. Computer relics and plastic toys from the 1990’s resurface as jarring, three-dimensional works that reestablish a value beyond their initial introduction as cultural commodities. Extending the life of goods long since forgotten, the immortalization of a wastefulness that continues to swell stands as not only a poignant reminder of the ecological decay resulting from our consumption, but the opportunity to revisit and remake otherwise quotidian, superfluous goods.

Working predominately, if not entirely, with upcycled goods, the following artists create stunning installation and sculptural works that are a visual whirlpool of texture, color and line.

Featured artists include Dominic Wilcox, Sarah Frost, Robert Bradford, Gabriel Dishaw and Elisabeth Higgins O’Conner.

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