Poignantly Raw Photographs Show An Uncensored Motherhood

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The photographer Elinor Carucci’s recent series Mother reads like a visual diary of the pains and pleasures of motherhood, a raw and uncensored confessional of love and a complex relationship to the female body. Within the aesthetic framework of more traditional portrayals of the mother, she highlights the visceral and bodily with romantic reverence.

Carucci relies in part upon the image of the art historical Virgin Mary, mirroring Renaissance paintings in which the virgin clasps the child in her lap, his soft baby limps coiled around her abdomen. Similarly, a strange and beautiful self-portrait features the artist in a hospital bed, a mysterious and seemingly divine light shone directly over her womb. With symmetry evocative of Renaissance art, her newborn twins nurse at her breasts, each head resting on a pillow of deep blue characteristic of the virgin.

Mother transforms our understanding of the divine, expanding it to apply to real, mortal women, our bodies and our fears. Unlike Mary, our protagonist is not a virgin; instead, her sexuality is the source of her creative energy; her milky breasts are shown alongside the vulva, her stretch marks and scars creating s subtle cross in the center of her torso. Her daughter, appropriately named Eden, sneaks a look down her mother’s underwear, marveling at the beauty and power of the genital area with moving innocence, her face bathed in light.

With the beauty of life and love comes the poignant fact of growing up and innocence lost. As the girl’s hair is cut, her green eyes are stricken with fear, the bothersome remains of lost hair littering her face. Similarly, a child bears a wound, which swells painfully from her lip like a ripe pomegranate seed; during bath time, she wriggles from her mother’s arms, shot in relative darkness, desperate to return to a state of play. Take a look. Mother is currently on display at New York’s Edwynn Houk Gallery. (via Beautiful Is Now and Feature Shoot)

Mother And Daughter Collaborate On Surreal Illustrations

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It’s hard not to be absolutely delighted with this story and these illustrations. Mica Angela Hendricks is an illustrator and graphic artist who used to keep her art projects separate from her daughter’s as a way to maintain control of artistic direction. One day, that changed when her 4-year-old insisted that Hendricks share her new sketchbook with her, finally berating her with, “we might have to take it away if you can’t share,” something Hendricks told her daughter often. So Hendricks let her finish the bodies of many faces she’d started (informed by old black and white movie stills), and was surprised and delighted with the results. Hendricks claims her daughter often has a focused direction when finishing a piece, and that her imagination is unpredictable.

After her daughter finishes drawing, Hendricks adds color and highlights, texture and painting to complete them. Her daughter critques most of them a bit harshly, but ultimately enjoys their collaboration. As for Hendricks, the collaboration means more to her than the creation of interesting and unique illustrations:

“…From it all, here are the lessons I learned: to try not to be so rigid. Yes, some things (like my new sketchbook) are sacred, but if you let go of those chains, new and wonderful things can happen. Those things you hold so dear cannot change and grow and expand unless you loosen your grip on them a little. In sharing my artwork and allowing our daughter to be an equal in our collaborations, I helped solidify her confidence, which is way more precious than any doodle I could have done. In her mind, her contributions were as valid as mine (and in truth, they really were). Most importantly, I learned that if you have a preconceived notion of how something should be, YOU WILL ALWAYS BE DISAPPOINTED. Instead, just go with it, just ACCEPT it, because usually something even more wonderful will come out of it.”

You can purchase prints of these delightful illustrations here. (via)

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