Erupting skulls and beautifully powerful hybrid animals take over the streets in the work of Puerto Rican artist Alexis Diaz. His work looks more like illustrations at first glance, due to their brilliant line work and convincing detail. However, each bizarre creature is much larger than life, climbing up each wall and towering over the viewer. Mixing a concoction of different animals to form entirely new species is one of the more recognizable trademarks in Diaz’s artwork, along with the repeating, iconic skull. Normally a mark of death, Diaz’s skull often spring forth life, as many of them hold birds that sprout from the cranium. Vivid colors and expressive detail show off this street artist’s skill.
The imagination seen in Alexis Diaz’s work is both incredible and intriguing, as combinations of animals come to life on the walls of the streets. In one mural, an elephant sports tentacles like that of an octopus, while in another, a bear and a buffalo become one creature. In one of Diaz’s most immense and striking murals, a hybrid snake and eagle circle around their prey of a skull with vessels of a heart. The animals rendered in Diaz’s work create a whole new space in which to live, as well as a whole new kind of animal. His handiwork can be seen sprawled all over the walls of the world in places such as Arizona, Puerto Rico, Slovakia, France, Austria, and Mexico.
(via This is Colossal)
The street art and murals of artist Okuda San Miguel drip with color and burst with energy, until they are no longer held on a brick wall, but spilling out into real life, in three-dimensional form. The Madrid-based artist uses a pop surrealist style to create large scale murals that transform public spaces into places of geometric, vibrant color and imagery. His work is so incredibly stunning, that it is almost as if the street walls cannot contain them. Public works like his painted phone booth contain an element that explodes from the piece. Color drips from the phone booth, fusing Okuda’s work with the real world. He often transforms his murals into three dimensional sculptures, creating an even more dynamic and captivating piece. As if Okuda’s mural that resembles a multicolored starburst didn’t demand our attention enough, he has a sculpture piece that brings the mural into the third dimension.
Okuda’s beautifully fractured, geometric style is applied to murals, street art, smaller scale paintings, and sculptures. Whichever medium the artist so chooses, he creates works that are both mesermizing and transfixing. His paintings often use similar imagery, such as velumptuous, nude bodies, animal heads, and skulls. A fascinating juxtoposition is formed when certain subjects of Okuda’s paintings are covered in colorful shapes, while others have a smoother texture rendered in black and white. It is interesting that often the face or head will be full of color, while the more organic forms such as a nude body or a tree branch will be absent of it. Okuda portrays what lies underneath the bright shapes as monochromatic forms, exposing our sameness and human connection below our exteriors.
The multitalented, Berlin-based artist James Reka uses striking colors and organic shapes to create his unique style of painting. Known as “REKA” as a street artist, his large-scale murals steal the spotlight in any setting, whether it be the railway lines of Melbourne, where he is originally, from, or the alleyways of Berlin. Heavily influenced by pop-culture, cartoons, and illustration, his work possesses a pulsating rhythm that brings the streets alive. His abstracted figures take on new shape and form in psychedelic waves that weave back and forth. With a palette reminiscent of the 70’s, Reka’s curved lines swirl around his compositions, creating a sense of depth that is both flattened and rounded, forming incredibly unique aesthetics.
Reka uses influence from his logo design background, integrating a pop-surrealist style into his murals and paintings. The sharp style of shapes and design used in his work creates a harsh contrast to the gritty walls and abandon buildings where his artwork often lives. His smaller paintings can be found in a more traditional environment, like on gallery walls, or in an even more unconventional place, on discarded, found objects. Reka’s newest body of work can be found at Avant Garden Gallery, located in Milan, Italy. The solo exhibition of the artist’s work, titled Olympus, exhibits paintings of Reka’s that pulls inspiration from ancient Greece. While still using his signature style, Reka renders scenes of bathhouses and Greek columns. This exhibition is on view now until July 10th.
With his work engulfed in geometric shape, the artist known as “Moneyless” creates infinite patterns of triangles and circles that seems to multiply endlessly. The Italian artist having talent in both two and three-dimensional work, his murals and paintings on wood are cosmic bound, mesmerizing and hypnotizing you with its fluid shapes. Originally a street artist, his influences from graffiti is apparent in his work on walls, with their bold color schemes and intense movement across the spaces they inhabit. This breakdown of text based graffiti into more non-representational, abstracted forms and shapes allows for more contextual freedom.
These murals and wall pieces are reminiscent of a kaleidoscope or a Spiro graph, with repetitive circles turning his compositions into large-scale Slinkies. Moneyless’s works on wood contain the same depth and intricacy created from his geometric perception, with an excellent eye on negative space. Staring into these works will have you lost in their unbelievable intricacy and rhythm. Each line is so thin and delicate, but make up a larger part of the stronger whole. This series is brilliantly symmetrical, forming a central focal point that pulls us into the space. The artist sees the triangle shape as the root to life, making up our existence along with everything around us. The reoccurring theme of geometry represents the foundation of life itself.
French muralist Seth Globepainter paints large, expansive scenes of people on the cusp of going some place else. The fantastical compositions feature young men and women whose heads are often in the proverbial clouds. Their bodies are obscured and half-hidden in another mysterious dimension that’s as easy to access as lifting a curtain.
These murals read as dreamscapes where the surreal and impossible happens. Everything is beautiful, nothing appears to hurt, and the color of the rainbow surrounds us wherever we go.
With their backs and side turned away from the viewer, it’s clear that Globepainter’s characters aren’t concerned about us. They’d rather make it to their next big adventure, or at least find out what’s behind that curtain. This creates a lot of intrigue, and we are founding asking questions about where they are going or what they’re leaving behind.
Double exposure portraits by Spanish-based artist Antonio Mora (a.k.a. Mylovt) blend human and nature worlds into surreal hybrid artworks. Mora works with images he’d found browsing through online databases, magazines and blogs, and then fuses them together using skillful photo manipulation techniques. His seamless way of mixing various concepts together leaves the viewer with mind-tricking illusions.
“I want people to feel inspired when observing my artworks, and that is what I long for. I often look at images hundreds of times without finding anything, and then the spark just arrives. It’s a bit like fishing, a matter of patience and intuition.”
Mora describes his artworks as cocktails, mixtures of ordinary elements merged into forceful and expressive daydreams. According to the artist, his inspiration is provided by the limitless Internet itself and he feels as a medium between the two parallel worlds: real-life and the Web.
Antonio Mora originally graduated from graphic design. Right after his studies, he started a personal design studio which turned him into an art director for 15 years. Gradually, artist decided to concentrate on his art solely. Mora is one of the artists whose instant fame relies on social media: “Social networks, especially Pinterest, have been an important vehicle to spread by artworks”.
His mind-bending photo manipulations are very accessible to the public, as Mora offers anyone the chance to have their own portrait turned into an astounding work of art. (via Writeca)
Creative murals by designer and street artist Mehdi Ghadyanloo are turning Tehran, Iran’s streets into an outstanding open-air gallery. Executed on two-dimensional blocks of concrete, Ghadyanloo’s artworks deceive the viewer’s eye by skillfully using methods from op art and 3D painting.
Mehdi has established a mural-painting company Blue Sky Painters, which helps him to work with the large-scale street art projects. What is not very frequent in the field, is that Ghadyanloo is fully backed up by the city’s municipality. According to the artist himself, it is one of the government’s goals to promote mural art in Tehran.
“The city is an architectural mishmash with buildings often having only one facade and the other three just left blank and grey. This doesn’t make for a beautiful city but it is a great environment for mural work. I think the municipality really felt the need to bring some cohesion or at least colour to the often confused and smog-smeared architectural face of the city.”
Ghadyanloo graduated from MA in Animation, which brought him closer to storytelling and surrealism. The latter has really influenced his style in urban murals. His scenes often depict unrealistic sights and actions such as cars flying in the air, man bicycling down the wall, people defying gravity and so on. Many of Ghadyanloo’s creations also cleverly interact with their surroundings bringing even more life to the streets of Tehran. (via: My Modern Met)
Artist Jesse Krimes stands in front of his 39-panel mural Apokaluptein:16389067 (federal prison bed sheets, transferred New York Times images, color pencil) installed, here, at the Olivet Church Artist Studios, Philadelphia. January, 2014.
In 2009, Jesse Krimes (yes that is his real name) was sentenced to 70 months in a federal penitentiary for cocaine possession and intent to distribute. The judge sentenced Jesse to a minimum security prison in New Jersey, close to support network of friends and family, but the Federal Bureau of Prisons (BOP) opted to send him to a medium security facility in Butner, North Carolina.
His way of coping with the life-changing sentence went a bit more differently than you would expect. He got by with a little help from federal prison bed sheets, hair gel, The New York Times, and some color pencils. Although money was limited in prison, he never struggled to gather enough money to purchase these objects. You might be thinking these are random, but, in fact, they are what made prison life a somewhat more passable experience.
While experimenting with these four materials, Krimes discovered that he could transfer the newspaper images onto the prison bedsheets. At first he used water to do this, but that did not work. Hair gel, on the other hand, had the requisite viscosity to do the job. He was not aware that three years after, he would end up with a 39-panel mural. Each transfer took 30-minutes. Thousands make up the mural. Krimes only worked on one bed-sheet at a time, each of them matching the size of the tabletop he worked on. The laborious routine kept Krimes sane, focused and disciplined.