Bob Egan Superimposes Iconic Film and Music Images Onto Their Corresponding Shooting Locations

Breakfast at Tiffany's

Breakfast at Tiffany’s

Van Morrison, Too Long In Exile

Van Morrison, Too Long In Exile

Billy Joel, 52nd Street

Billy Joel, 52nd Street

Taxi Driver

Taxi Driver

Bob Egan, a real estate agent during the day, becomes a “pop culture detective” by night. Egan’s PopSpots features images of album covers and television and film shots superimposed on and lined up with a photo of the shooting location as it appears today. Though Egan has researched images that were shot in other places, most of the images he researches have been shot in New York City, with many in Manhattan, a part of the city that is continuously in flux. Accompanying each superimposition are details of Egan’s research, including maps and resources he’s used, such as the New York Public Library’s digital archives, to deduce exact locations based on image details and correspondences surrounding the creation of each iconic image. Egan’s project began with his curiosity of where Bob Dylan’s “Blonde on Blonde” cover was shot, a place he has yet to discover. He has been able to find other Dylan album covers, however, and cites classic rock as his “music comfort food,” something that is not surprising based on the particular albums Egan has so far superimposed. Over time, Egan’s project evolved to include television and film stills, as well as other iconic photographs from the same era. (via open culture)

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Photos Of Heavy Metal Guys With Their Cats Shows The Soft Side Of Metal’s Darkness

Heavy Metal cats

Heavy Metal cats

Heavy Metal cats   Heavy Metal cats

Cats often get a bad reputation because of their strange, idiosyncratic ways and moody temperaments, but are nowhere near as misunderstood and misjudged as the metal music community. A new book, Metal Cats by Alexandra Crockett, looks to change both of these stereotypes simultaneously, and show both Metalheads and feline’s cuddly sides.

From a feature on Bored Panda“The people posing in these photos represent bands with names that are anything but cuddly – Napalm Death, Cattle Decapitation, Murder Construct, Skeletonwitch and Lightning Swords Of Death. But despite these fearsome band names and their black leather, spikes, tattoos and muscles, it’s clear that they share a close relationship with their loveable animals just like the rest of us.”

The musicians featured are also playing a series of benefit concerts at four cities along the United States’ west coast, with proceeds (as well as a portion of the book’s sales) going to no-kill animal shelters at each respective city visited. (via boredpanda)

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Wu-Tang Clan To Produce Single Copy Of Ultra-Expensive, Secret Album To Question Value Of Music

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The Wu-Tang Clan, one of rap’s biggest and most influential acts, recently announced that they plan to release a single, hyper-expensive copy of an unreleased, secretly recorded record, to bring about debates about the current value of music. To heighten the value of their project, the owner will not only own the thirty songs on the album, but also the casing, which Forbes Magazine’s Zack O’Malley Greenburg describes as, “The lustrous container was handcrafted over the course of three months by British-Moroccan artist Yahya, whose works have been commissioned by royal families and business leaders around the world. Soon, it will contain a different sort of art piece: the Wu-Tang Clan’s double-album The Wu – Once Upon A Time In Shaolin, recorded in secret over the past few years.”

Says the de facto leader of the boundary pushing hip-hop group, Robert ‘RZA’ Diggs, “We’re about to sell an album like nobody else sold it before. “We’re about to put out a piece of art like nobody else has done in the history of [modern] music. We’re making a single-sale collector’s item. This is like somebody having the scepter of an Egyptian king.” 

On a site titled ezclziv scluzay (“exclusive-ly”), the RZA explains the concept behind the album, “History demonstrates that great musicians such as Beethoven, Mozart and Bach are held in the same high esteem as figures like Picasso, Michelangelo and Van Gogh. However, the creative output of today’s artists such as The RZA, Kanye West or Dr. Dre, is not valued equally to that of artists like Andy Warhol, Damien Hirst or Jean-Michel Basquiat…Is exclusivity versus mass replication really the 50 million dollar difference between a microphone and a paintbrush? Is contemporary art overvalued in an exclusive market, or are musicians undervalued in a profoundly saturated market?”

Plans have already begun to “tour” the listening party, as well as the one-of-a-kind album itself, at major museums across the world, before it becomes available for purchase. Will this gesture be enough to bring music sharing back to its pre-Napster value? As stated at the end of the site’s Edictum “This album is a piece of contemporary art. The debate starts here…” (via Forbes)

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Music Makes Paint Splatter Dance

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paint splatter Martin Klimas photography1

Photographer Martin Klimas‘ series “What Does Music Look Like?” is a fun attempt at answering that very question.  He uses paint as a vehicle for sound.  Klimas places brightly colored paints on a surface that sits just above a speaker.  Playing loud music such as Kraftwerk or Miles Davis makes the paint splatter above the speaker  with the vibrations making it “dance”.  The paint jumps and splattes while being captured by the camera.  Klimas snapped approximately 1,000 photographs to capture the set.

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God Bless You, Llyn Foulkes: Painter & Musician Extraordinare

Llyn Foulkes - Mixed MediaLlyn Foulkes - Mixed Media

Llyn Foulkes - Mixed Media

I’m not going to pretend like I know half of whatever or whoever Llyn Foulkes is about, I’m just going to take a minute to honor his incredible presence in the art world for over 50 years.

What makes Foulkes so special is that he creates art at his own pace, and he creates it how he wants to, whether it’s music or painting. This “early master of Pop” is revered not necessarily because he’s a household name like Andy Warhol– but because of his journey in the art world and his ability to stay strong in his own truth and sense of character, despite social or monetary pressures.

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Performance Art Collective Uses Goldfish Movements To Create Music

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Quintetto from Quiet ensemble on Vimeo.

The artist collective Quiet Ensemble are skilled at making the mundane feel monumental, or at least worth noting. Their installation/ performance art Quintetto is naturally composed of a quintet of goldfish.  The little fish may not realize it, but their movements are of consequence.  Placed in tall tanks, the vertical movements of the fish are monitored and converted into sound.  Each fish is assigned a separate tank.  The installation seems to give some sort of order to the random, and in a strange way lend gravity to something that is trivial.  Check out the video to see the fish in action in full performance art glory!

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Found Wood Transformed Into Geometrical Musical Instruments

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While Jack Sawbridge was studying architecture at the University of Nottingham, he became interested in sacred geometries and the ratios and styles associated with the form. He often finds pre-existing pieces of wood to use as his starting point before constructing their formal geometries. Sawbridge then integrates light, guitar strings, and/or glass sound tubes, giving these seductive forms a function. These beautiful works are fully operational and patrons are even allowed to experiment with them. Sawbridge’s work articulates the meticulous and delicate balance of architecture and sculpture.

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Watercolor Drawings Infused With Psychedelic Tendencies

Kyle Field - PaintingKyle Field - PaintingKyle Field - Painting

Kyle Field, an Alabama native living in San Francisco, was born in the 1970s– and his artwork tends to reflect the mood of not only these two places, but also that era. Each craftily drawn watercolor depicts a folk narrative infused and confused with melodious psychedelic tendencies. It’s all so playful and harmonious. We find it challenging not to think of Field’s work in any other way but musical.

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