Animal sculptures by Australian artist Natalie Ryan are inspired by taxidermy. While conventional taxidermy practices dictate that she preserve the skin/fur of the animal she is preparing, Ryan instead uses synthetic materials to cover casts of squirrels, bears, and monkeys. Her current portfolio cloaks these animals entirely in blue velvet.
Continuing to explore notions of the cadaver as a secondary form, a shadow of it’s living self, these works depict the internals of animals stripped of their dermis and identifying features. Evanescere looks at the body in a suspended state of disappearing. In conjunction with this, these works also explore the idea of the animal cadaver on display and museology as a resting place. These works combine bodies and elements of the landscape that reference the paradigm of Natural History Museum displays. They seek to question the role the body plays in the Museum and the loss of the individual as it becomes a subject to represent an entire species.
Ryan’s decision to color her work bright blue introduces a contemporary aesthetic to taxidermy. It references the trends of home decor over the past few years, in which loud, unnatural colors are applied to natural objects. When thinking about traditional taxidermy and how it uses real feathers and fur, the artist makes a statement about craft and preservation. The prevailing attitude of culture champions innovation and exploration of the new. Ryan is stripping this practice of its ritual, simply using foam casts and not real animals. She’s chosen a color and material that’s more en vogue. We are drawn to this work because it’s a twist on an old practice. She makes taxidermy fresh rather than just feeling old.