Originally from Japan, illustrator and graphic design artist Fumi Mini Nakamura now works out of the NYC area. Her works in graphite and colored pencil feature a unique cast of characters: human figures rendered in striking photo-negative-like detail; flocks of feathered and toothed creatures; the occasional skull. The mixture of natural and imaginary elements always seems just right, rather than chaotic and disorganized. Examine some more of her works for yourself after the jump.
If Ellie Cryer weren’t focusing on drawing she’d be chasing storms or spotting planes, both of which occupations are probably in high demand seeing as the recent events in Alabama and Pakistan (yes, us killing Osama means we should be on an even higher terror alert). Luckily, despite the allure, her focus seems to be on the drawing board where she brings together an exotic mix of color with human emotion attached to nature and other surreal elements. Enjoy more of he work below.
Ryan Kenny’s photos seem to be about quiet moments of youthful exploration. Like those days when the city just boils over and you head up to Ojai to catch your breath for an afternoon. You and your favorite people are driving through those oak trees and no one’s really talking but that’s how it needs to be. These images are like that–catching your breath.
Jane Benson is a multimedia artist who talks quite a bit about suffering. Her art speaks a lot about observation and the human psyche. Her relation to the earth seems to be something she constantly questions. Every moves beckons to test the difference between want and need. Let the games begin.
The work of Johan Björkegren feels like a fairy tale, with twists and turns. It’s what I pictured when I was 5 and holding the covers hearing stories. It is decrepid and pronounced, and can, at times, feel like a house that won’t stop squeaking. It feels loved and nurtured, but it doesn’t believe in purity or the idea of white.
According to Kate MacDowell, her varied travels from Italy to rural India have greatly influenced her unique artistic vocabulary. She began studying ceramics full-time in 2004. Since then, she has created pieces that ascertain their prestige through the perfect juxtaposition of the beautiful and the alarming. MacDowell’s work is so precise that it feels as if it exists more comfortably in reality than in imagination. If you’re in the UK, you can see her work in the upcoming group show, Shadowside, at bo.lee Gallery in Bath.