According to Kate MacDowell, her varied travels from Italy to rural India have greatly influenced her unique artistic vocabulary. She began studying ceramics full-time in 2004. Since then, she has created pieces that ascertain their prestige through the perfect juxtaposition of the beautiful and the alarming. MacDowell’s work is so precise that it feels as if it exists more comfortably in reality than in imagination. If you’re in the UK, you can see her work in the upcoming group show, Shadowside, at bo.lee Gallery in Bath.
Matthew Coleman is an artist in many senses of the word. He’s a writer, a photographer, a painter and, apparently, quite a prolific paper crane folder. “I create from the inside out. To direct the intensity of feeling outside of me, to release them in great bursts,” explains the artist. With such a passionate artist’s statement, it’s no wonder Coleman’s creativity has driven him down so many diverse avenues of discovery.
New York artist Alison Blickle creates interests paintings in which female nudes (which I think are roughly self-portraits) are pictured in the majestic beauty of nature. While this might not sound all that revolutionary on its own, there is an interesting, almost cartoonish aesthetic in the paintings which creates a sort of off-putting sense of abstraction/simplification, as if this reality is very far from the artist’s life.
Gorgeous sculptures that uses mirrors to force nature into interrupting itself. I see tons of art on Flickr sites that do the same thing but with Photoshop and Googled nature images, (don’t get me wrong, I like those too) but this the real thing! I can’t find very much information on the artist duo- I’m assuming they were husband and wife or something… Wiki search rewarded me this: Francisco Infante-Arana formed an artists’ collective known as the Movement Group & continues to be one of the premier Russian avant-garde artists. “Nonna Gorunova” yielded me results only in the context of Francisco. It would be great if any of you readers can shed more light on them! You can find more of their work on this LiveJournal photo community.
“In my paintings I use the violence and romantic sadness of the natural landscape to provoke a sense of fragility and melancholic instability beneath the surface of the image. I like to use a variety of images that are beautiful and sad with natural elements that can also be seen to parallel the worst parts of our human animalistic behaviors.” -Sarah Emerson
There is a sense in Sarah’s work of sadness and impending doom that i really enjoy.