Dan LuVisi’s Violent Portraits Of Childhood Cartoon Characters Are The Stuff Of Nightmares

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“Your childhoods belong to me now,” says the concept artist Dan LuVisi of his terrifying portraits of beloved cartoon characters turned grotesque and murderous. LuVisi’s chilling series, titled Popped Culture, holds a scathing mirror to Hollywood ethics, to the exploitation that goes on behind the scenes of even the most innocent movie productions. Accompanying each of his images on his blog, the artist, who has a background in comic books and has illustrated for DC’s Batman and Superman, includes short stories outlining Tigger and Goofy’s tragic path to corruption.

LuVisi’s spare text reads quite like a noir mystery novel, filled with darkened, moody diners and mugs of bitter coffee. The characters that we associate with our own youths age, hardened by years out of the limelight. The residents of Sesame Street are seemingly evicted, cast out into a generic urban cityscape simply called “THE STREET.” Seduced by industry executives, Kermit takes a role in a brutal adult film. Those who refuse to compromise themselves for the sake of the industry are defeated, as is the case with poor, piteous Gonzo.

The Disney cartoons fare worst of all, transformed from lovable animals into nightmarish ghouls. Mickey Mouse’s gaunt body grows saggy with age, his small, round ears torn and his slimy tongue dripping hungry drool. Donald Duck’s beak opens to reveal rows of teeth, emerging like claws and cruelly lining a mass of tissue; a tiny drop of blood stains his collar. In these disturbing images, we find both humor and pain, forced to reconcile our nostalgic hopes with the realities of Hollywood corruption. (via Demilked, Huff Post, and Elite Daily)
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Alec Huxley’s Cinematically Surreal Sci-Fi Narratives

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Sci-Fi

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San Francisco based artist Alec Huxley‘s large and cinematic sci-fi paintings are filled with noir-influenced contrast. Both bleak and bright, his paintings largely take place in urban or desert landscapes of the American West Coast and are representative of both science fiction and surrealist inspired narratives that often include animal figures. Huxley’s use of light throughout his compositions lend his work a realism that is rather haunting, and reminds me of something you’d find in an apocalyptic comic book narrative. His solo exhibition, “Astronomical Menagerie,” is described below and currently on view at the Minna Gallery in San Francisco until October 26th:

“At the witching hour, fashionable figures in space helmets rendezvous with wild beasts in the empty streets of San Francisco. As animals are central to our perception of humanity, relationships of power and domination juxtapose with naked reminders of human frailty. Confident in our ingenuity, we float about cities at the apex of species. Absent our imagination and material protections, we stand vulnerable beside creatures functioning solely to survive.” (via exhibition-ism)

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