Portland, Oregan based Marie Koetje’s dark paintings are chaos interrupted. Her subject matter usually deals with natural/ man-made environments out of control. Incredibly noisy with vegetation, trash, and color that are all suddenly silenced by one striking color of fluorescent lighting, neon signs, etc.
London based painter Andrew Salgado enjoys focusing on the language of emotion through the male body, and media usage. His paints are generously and passionately applied onto the canvas, as are his explorations through masculinity, identity, sexuality, etc.
We are enjoying some of New York based artist Austin Power’s recent work. His focus on the human expression, and his interest in wanting to fully understand another human being has us interact with his work by filling us up with empathy.
Rachael Weitzman’s work would brighten up anyone’s home and add life to any art gallery. Her paintings are more like narratives, there is a story line behind it all. For example, in her “Helter Skelter” group of paintings, (not pictured), each piece holds in stasis an unfolding event. Often, the different speeds of the brush–slow, careful pointillism, or sweeping gestural marks– vie with each other and echo the struggle for containment within the painting.
New York based artist Amy Hill modernizes the Renaissance. As you can see from the majority of her work, Amy draws her inspiration from fifteenth century Flemish painters. I really enjoyed her Bohemian series.
We received href=”http://www.artnet.com/artist/3162/glenn-brown.html”>Glenn Brown’s exhibition book in the mail today. This book is filled with Glenn’s portfolio of sculptures and paintings from three separate shows. Completely filled with thick, goopy paint. If you’re a fan of Glenn Brown, make sure to check this book out.
Ian Larson’s works are incredibly congested with raw, dirty, crude energy. I almost feel too shy to really observe his paintings. The way Ian paints so thickly onto his canvas, almost has these exposed, and humping characters pop out of their environments in an attempt to keep you from looking away. Definitely attention grabbing.
Observing Brendan Flanagan’s paintings is like walking through a dark dream of regrets, fears, and loneliness. Vague, human-like figures in physical, emotional, or silent turmoil completely transient within their own surreal environment.