Chris Sisarich’s photo series Somewhere In The Middle of Nowhere hits home here in Los Angeles, a city built in a desert. The series looks like it could have been anywhere around the world–saudi arabia, egypt, arizona, china, california– and speaks to our constant search for new places for sprawl development and the global warming it’s causing, to our persistance and the futileness of it all. Sisarich’s images, like the desert, are some of the driest, palest images i’ve seen in a while, and with humanity only peripherally represented, the might seem like predictions for our uncertain future. But they don’t feel pessimistic, just as if humanity was this interesting thing that out grew its planet and left behind some neat objects when it left. Whether or not you think the images are prophetic, optimistic, pessimistic, or anything else, they are at the lest very handsome images.
Stephanie Gonot‘s takes the classical still life and replaces fruit, flowers, and skulls with fanta, lunch meat, and ice cream. The results are clean and funny and a totally great time. Right now she is working on a bi-weekly column called “Food Mood” for the Italian magazine Red Milk where she takes fashion photographs as inspiration for her photographs of food. It also is a joy.
Philippe Jarrigeon‘s amazing photography is as inspired by fashion as it is interested in its deconstruction.The mannequins, absurd poses, identity collages, clothes filled with sticks– his photography is smart and hilarious and stuffed with visual pleasure. What more could you want?
“For the 10-year anniversary of the Elans de Mode, the ICONORAMA exhibition proposed by the French Womens Ready to Wear Federation relates the story of this last decade French fashion design, through a selection of photographic works by Philippe Jarrigeon.” – Cavalier Bleu (w/r/t the photographs in color. The bottom two are from another fashion-inspired series)
To all our bald readers: we may have a new solution for you. Water Wigs is a new photography experiment by action photographer, Tim Tadder. The series consists of high-speed still frame images from a photo shoot that combines bald men with buckets of water. The images are snapped right at the moment the water hits the head to create a hair-like form. Take a look at some of our favorites from this extensive series after the jump.
French/Italian artist Sonia D’Argenzio sent over some of her new abstract ‘anti-photographs’ this past week, and i’m more than impressed. Her ability to pull an excellent image from film before/after/without processing is unrivaled (at least to my Tumblr eyes), and i’m even more convinced by her devotion to the analog process. She might just be the real deal.
Time to once again danse macabre by way of self-taught artist Wayne Martin Belger. Belger uses unusual materials (human skulls, HIV-positive blood, bullet shells) to build functional cameras that lend their composition to the work itself.
Wayne Martin Belger is one of the rare two-part artists that create works relying on each other through the synonymity of the repeated aesthetic. That is to say, when you look at his cameras, sculptures that represent something painfully graphic and simultaneously beautiful, you relate to the photographs in a different way. I find it fascinating that his installations show the cameras first, then you see the completed ancient photograph — it was made with this thing?