Australian born photographer David Jo Bradley documents the human condition in his photographs. I am really digging his work. Here are some photographs from his 2010 project on Mali, Africa.
Fine art photographer, Angela Bacon-Kidwell, creates incredibly nostalgic, and poetically narrative works that lull us into a dreamy state of mind.
Zhang Xiao, a Chinese freelance photographer, knows just how to grip the viewer’s attention. Incredibly nostalgic, and dream-like, these photos have a way of keeping themselves in our thoughts. I especially enjoyed his series entitled: They I, They II, and They III.
Artists Ralph Lagoi & Kate Lace’s recent series entitled “Love Land Invaders,” is a portfolio of fashion, art, and “luxurious pop” set in some of Japan’s extraordinary love hotels. I feel like I am peeping in on some superhero’s intimate moment!
For women everywhere who grew up with Disney princesses, at one time or another have been disappointed to find out that “happily ever after” is a very rare occurrence, and even then life cannot be consistently easy or good without a few hardships. I feel that a small part of me is avenged through Dina Goldstein’s harshly realistic series “Fallen Princesses.” In this series, Disney’s version of princesses find themselves introduced to the real world, and battling a world their previous audience live in. Everything from a stressful married life, obesity, depression, illness, etc. Just like everyone else they must address their conflict, and confront whatever the outcome may be.
Swiss photographer Matthieu Lavanchy likes to create his own subject matter. Everything from still lives, to installations, collaborations and costumes so that a room just can’t be a room anymore, but becomes an area of performance.
There is something in Spanish photographer Yosigo’s (aka: Jose Javier Serrano) work that allows him to present beauty within emptiness. His minimalistic style presents itself even within the subject matter. He focuses on ordinary, everyday surroundings that are extremely sparsely populated. I also enjoyed his collection of found photo IDs titled, Aurkitutako Erretratuak.
Sean Fader’s background in performance had a heavy hand on the focus of his photography. His consistently conceptually strong pieces of work usually deal with the identity of his self, and the self perceived by those around him. What originally drew me into his work was his series, I Want To Put You On, where he explores the idea of becoming the people he personally admires.