Caroline de Vries’ portrait photography is stunning. She experiments with the medium of photography as well as with the context and presentation. Through this exploration she encourages the viewer to construct links between subject and context. In “Unknown – Known” she assembles a “visual relationship” between two strangers by replicating the facial expression, position and facial features of a found portrait.
Gorgeous sculptures that uses mirrors to force nature into interrupting itself. I see tons of art on Flickr sites that do the same thing but with Photoshop and Googled nature images, (don’t get me wrong, I like those too) but this the real thing! I can’t find very much information on the artist duo- I’m assuming they were husband and wife or something… Wiki search rewarded me this: Francisco Infante-Arana formed an artists’ collective known as the Movement Group & continues to be one of the premier Russian avant-garde artists. “Nonna Gorunova” yielded me results only in the context of Francisco. It would be great if any of you readers can shed more light on them! You can find more of their work on this LiveJournal photo community.
Though the medium of stereoscopic optics have been blowing minds (and crossing eyes) since the late 1800′s, artist and designer Ryan Colditz takes the media to surprising new ends. Colditz plays with this dazzling visual trope to breath new life (and dimension) to graphic design and photography, creating a startling new aesthetic that literally manages to pop off the page. Beautiful/Decay recently discussed Ryan’s home made 3-D camera, process, inspiration, and beyond- read more after the jump!
Scanwiches is a project started by Jon Chonko, a New York based designer. The quality of the images of these sandwiches is really incredible, and always leaves me hungry. This project at first glance seems so simplistic and childish, but it really brings up quite an important concept: sometimes the everyday item that we take for granted can be very beautiful and artistic.
The work of Gilbert & George is as intricate as it is bizarre. Never holding back their views on politics, religion, or homosexuality, this work always manages to offend, or at least shock, someone.
Gilbert and George beautifully contradict their visual and conceptual visions. This combination of a style that mimics stain-glass windows found in churches collides with negative connotations about religion and conformity to create an image that gets you thinking.