With an interest in merging consumer culture and fine art practices, Norwegian photographer Vilde Rolfsen takes the most ubiquitous piece of global consumerism, a plastic grocery bag, and creates a series of photographs that, with the assistance of modified lighting and colored cardboard, showcase a an ephemeral landscape, reminiscent of snowscapes or dancing oceans. The plastic bags used for this project were all sourced from the street; this is a very minor but important fact that underlines Rolfsen’s ultimate mission:
My findings have showed me that people take everyday objects for granted, for example a plastic bag or a Brillo pad. You use them for a couple of things, carry your groceries or scrub your dishes. By removing the objects from their original function, I am forcing the viewer to look at the object as an aesthetic thing rather than a useful thing. I challenge society’s perceptions of everyday objects, because these objects are of such normality they become surreal in a photograph.
Anonymous Spanish art collective Luzinterruptus has installed their latest public interventionist project, “Consumerist Christmas Tree”, as part of Lumiere, a citywide celebration of light that takes place in Durham, England. To construct this 9 meter high tree, the group asked people to donate their plastic bags in exchange for cloth ones, resulting in a donation of around 4,000 bags. In addition to the tree, Luzinterruptus created strands of garland by installing lights in leftover bags and hanging them across streets. According to the artists, the tree “is an installation that will help to raise awareness of the excessive use of plastic bags and the consequences that this consumption has on the environment…We thought about a grand Christmas tree, built of the bags used during the period prior to Christmas, the dates in which their use dramatically increases.” (via unknown editors)
Khalil Chishtee constructs life-size sculptures out of plastic bags. Much of his figurative work is evocative of movement and fluidity, and indeed, some of his work is sculpted in such a way as to be constantly moving. Admittedly charmed by the vastness of the plastic bag medium, Chishtee enjoys the way it respectfully responds to his deepest emotions.
“We live in the age of plastic, and plastic bags are the most ordinary form of this material. It goes back to the Sufi approach of my upbringing where worth does not depend on what you inherit, it depends on who you are. Anything made out of bronze, wood, stone or painted on a canvas carries the appearance of being worth looking at, because of its history, but if one can change the impact of that history, one is an artist.”
Originally from Pakistan, Chishtee now resides in New York. (via combustus)