NADA Art Fair Miami 2013 Highlights

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NADA (New Art Dealers Alliance), founded in 2002, is a not-for-profit art fair that showcases international galleries in New York, Miami Beach, and Cologne. NADA’s exhibitors are a breath of fresh air; the young vibe, the weirdness, and progressiveness of this exposition is hard to dismiss.

Here, I gather the most interesting works at the expo:

Estonian artist Kris Lemsalu sculpts and stages grotesque figures. In this particular set, it seems, are two very strange looking dogs(?), wrapped around sleeping bags. I’m not sure what is artist is going for here, but it seems to me that he is trying to set a scene, and a specific one at that. Both ‘dogs’ are covering their eyes, they are wrapped tightly, and they hovering amongst themselves; might it be that these are scared ‘dogs’ at an estranged camp of sorts?

Jonathan Torres, a Puerto Rican artist, creates half-animal, half-human sculptures, that are brightly colored and full of feathers. They are on the floor, nor are the hanging from the upright walls, instead they appear in odd places, throughout the tiny booth of the http://crenaz.byethost22.com/.

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Robert Wechsler’s Stunning Geometric Sculptures Created By Linking Coins

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These incredible coin sculptures were created by artist Robert Wechsler, who was commissioned by The New Yorker to create this work for their October 14th “Money” themed issued. Wechsler’s coin designs are crafted with money from varying countries of origin into geometric, fractal-like shapes. These shapes were created using a jeweler’s saw to cut out notches in the metal and then linked together with other coins. Wechsler has used coins for some of his past work, and most of his sculptures are created with objects from life’s seeming mundanity, like fingerprints, schooldesks, snails, a toaster, and an iron.

Wechsler writes, “Comfortably accustomed to everyday objects and spaces, we are blind to their unseen beauty and elegance. Who looks at a shopping cart or a toaster for the object itself? This state of static expectations is fertile ground for surprise.  It is a conscious re-examination of my subjects that re-instates the novel back into the familiar.  This is the moment of surprise, the moment we discover what is unseen in what is always seen. In reverence for what initially appears modest we get a small glimpse of the boundless elegance of our world.”(via exhibition-ism)

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