Fed up with the shame surrounding their periods, the Spanish performance collective Sangre Menstrual took over the public streets in sets of white pants stained with menstrual blood. This performance artwork was politically motivated; as the group writes in their “Manifesto for the Visibility of the Period,” the taboo surrounding menstruation serves to oppress women and reinforce patriarchal systems.
By making a public display of their shedding uterine linings, the group hopes to reclaim the female body and free normal bodily functions from shame and judgement. Since the earliest books of the bible and before, menstruation has been viewed as unclean, and often women have even been kept separate from men during their periods. Sangre Menstrual, whose name literally translates to “menstrual blood,” intends to change all that. In their manifesto, the group of women write, “I stain [my pants], and it doesn’t make me sick. I stain [my pants] and I don’t find it disgusting.”
The implications of Sangre Menstrual’s street performance extend beyond menstruation and into larger debates surrounding reproduction and the female body. Like the feminist artist Barbara Kruger and her legendary print “Your Body Is A Battlefield,” the blood-stained performance aims to present the body as a political act of defiance. The manifesto states, “the visibility of the period [is meant] to increase the visibility of the body, as political space.” Do patriarchal, sexist institutions persist in part because of the repulsion with which we treat menstruation? Is this work of art a groundbreaking innovation or a silly shock tactic? (via BUST)