I am in love with Dimitri Tsykalov’s series of fruit and veggie skulls. So intricately carved into accurate representations! He seems to take an interest in unorthodox sculpture materials… as he used meat to create war weapons as a commentary on the exposed soldier inside a butchering.
Beacon, NY based sculpturist Emil Alzamora enjoys exploring the human form through his artwork. He focuses on ideas like what it actually means to inhabit the human body occur throughout his work in one shape or another.
Joseph Leroux uses various materials (metal, paper, wire, found objects, etc) to create creepy looking sculpture and installations full of symbolism. Check out his series on body parts merged with machinery/ metal works.
Amir, you underwater explorer you, this goes to you. Jason de Caires creates haunting underwater sculptures reminiscent of Atlantean ruins, or the macabre corpse-casts of Pompeii. People turned to stone, left to transform into coral reefs and feeding grounds for schools of fish….there is a strange and beautiful magic in these pieces. Imagine discovering these still and silent souls while swimming?
When I walk down the aisle someday, I don’t think I would mind my constricting, and stuffy wedding dress to blow up like a grenade… just like the installation of artist E.V. Day has put together. E.V. enjoys using delicate, fragile materials and transforming them into visions of war, sex, and violence. An act towards the exploding of sexual stereotypes.
Liu Zhi Yin, an emerging artist from China, recently earned her Masters at the Luxun Academy of Fine Arts and has been exhibiting her sculptures in group shows. Liu Zhi uses fiber glass or bronze to construct sculptures of female characters that exude humor, but more than anything else, femininity in every sense of the word. Regardless of either awkward pose or expression, the movement and form of her pieces executes the constant sophisticated finish.
Sabi Van Hemert is a Dutch artist who creates sculptures that are fusions of children and animals. Van Hemert likes to play on the idea that the viewer has his or her interpretation on what they see. Because it is not immediately obvious what you see, the relationship between the spectator and the image is more complex, which is what Van Hemert strives to get from her work. Van Hemert says she has developed a rhythm to her work: precision, and the material she uses, help gives her work its alienating yet sensual, tough yet vulnerable character.